Fiftieth anniversary of "Genesis of the Daleks"

It was fifty years ago today, on March 8th 1975, that the BBC transmitted part one of the Doctor Who story "Genesis of the Daleks".

It has since gone on to be regarded as one of the very best Doctor Who tales in the history of the franchise and one of the greatest science-fiction stories ever committed to the visual medium.  "Genesis of the Daleks", written by Terry Nation, packed a lot!  The part that I most often think about is when The Doctor (the Fourth, played by Tom Baker) is agonizing over the choice that is his to make: to either destroy the Daleks before they can become the universal menace he knows them to be, or to save them and let history run its course.  It was pretty strong stuff for a show still considered to be made for young audiences.

So it is that today is the fiftieth anniversary of the debut of Davros, the genius-but-insane creator of the Daleks.  Personally, I think that Davros is one of the greatest villains in fictional history.  When you consider that he has only one hand but that hand is stained with the blood of trillions of innocent lives... that is incalculable evil.

And to celebrate, here is a video that I discovered many years ago that someone very brilliant compiled and posted to YouTube. This predates Davros's appearance in the series that has been running since 2005, so it's almost all from the classic productions.

Here is "Davros Versus The Universe":

EDIT: 03/10/2025:  A reader of this blog has informed me that the complete "Genesis of the Daleks", all six episodes, is available to watch on the official Doctor Who YouTube channel!

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Chris sees Doctor Who's "The Star Beast" so you don't have to

"Doctor... I let you go."

~ final words of the Twelfth Doctor

 

 Oh dear Lord.  It was so much worse than I was ready for.

I keep hearing Peter Capaldi's last words as The Doctor, now several minutes after watching "The Star Beast": the first of the three hour-long specials "celebrating" the sixtieth anniversary of Doctor Who.  

Because that is what I'm feeling now.

This GIF that I made a few years ago, taken from the Mel Brooks film Silent Movie, somehow expresses the disgust and sense of being let down that I'm experiencing at this hour:

 

I had been a fan of Doctor Who ever since I was six years old, and sneaking in watching it WAY past my bedtime when WFMY in Greensboro aired episodes of it after the 11 o'clock news on Sunday nights.  Those were mostly from the Tom Baker era, and I'll never forget the first time I heard that theme by Ron Grainer.  Then I discovered that PBS ran Doctor Who at respectable hours on Saturday afternoons, and I got to see those and not have to worry about Dad catching me out of bed.

I was an on-and-off fan of Who throughout childhood and adolescence, and then came the day when a lady from PBS (standing in front of a graphic of the TARDIS) announced that there would be no further broadcasts of Doctor Who on public television.

So began the show's "time in the wilderness", apart from the "Dimensions In Time" 3-D special for Children in Need, when there was no new Who.  It seemed the show had finally run its course.  But I never lost my appreciation for it.

And then one night in the fall of 1994, I was logged into the bulletin board system run by a friend.  His BBS featured FidoNET, which was sort of a USENET (remember that?) connected to bulletin boards all around the world.  And there was a group on it called the Doctor Who Echo.

It was like that scene in Close Encounters of the Third Kind, where everyone realized they've had similar experiences with the UFOs.  It was finding others, out there, who were just as much Doctor Who fans as I was and indeed many who were much more Whovian than I thought possible.

A few months later I got Internet access for the first time.  Rec.Arts.SciFi.DoctorWho was one of the first newsgroups I subscribed to.  Using the Netscape Navigator browser I found (and bookmarked) the Doctor Who Home Page and discovered reams of text files of not only serious information but also bloopers, a "drinking game", just gobs of humor that had my sides hurting from laughter (literally!).

January 1996.  I had just gotten my first apartment.  My roomie was off in England as part of Elon's winter term.  Days before I was going to get seriously started moving in there threatened to be a fierce winter storm.  Mom convinced me to take the bare essentials and some clothing on to the apartment, 45 minutes away.  On the way I stopped at the mall in Burlington, looking for some entertainment.  I found the Doctor Who 1983 special "The Five Doctors" on VHS.  I bought it, got my things into the apartment and watched that tape while eating pizza from Little Caesar's.  I felt like I was king of the world, or at least my little corner of it.  I watched "The Five Doctors" a few more times while being iced in with nowhere to go.  It has become a tradition: every first night I spend in a new home, I've watched "The Five Doctors" while dining on pizza.

Then came the buildup to the premiere of the 1996 Doctor Who television movie, starring Paul McGann as the Eighth Doctor (regenerating from Sylvester McCoy's previous Doctor).  Some were disappointed in the TV movie.  I thought it showed great promise and it was a let-down that it gained no further traction.

But true to form, The Doctor refused to die.

I need not go into the return of the Doctor Who series in 2005.  Even if you're fairly new to Who you probably know something about how long its "Nu Who" incarnation has been around, beginning with Christopher Eccleston as the Ninth Doctor.

Russell T. Davies was the showrunner then.  And I thought he pulled off a magnificent job in bringing the show back.  Oh sure, there were some fits and starts.  There were a few rough edges.  And maybe a little "progressiveness", but that never overwhelmed how amazing the new series was.  I was willing to overlook those.  The first of the new episodes I saw was "Dalek", featuring the return of The Doctor's most classic enemy.  And then some weeks later I downloaded (the revived series was strictly on the British side of the pond, not legally available in the States) the two-part story "The Empty Child"/"The Doctor Dances", written by a chap named Steven Moffat.  That tale completely blew me away with its awesomeness.  And when Moffat brought us "The Girl in the Fireplace" during the following season, David Tennant's first as the Tenth Doctor...

...that one genuinely brought on the tears.  I couldn't remember any television story that had so moved me.

I could go on.  But I wanted to establish my credentials first.  If I haven't driven home the point yet, here it is: I GET Doctor Who.  Arguably better than many if not most modern fans can.

When it was announced that after Peter Capaldi's time in the role ended, that The Doctor would regenerate into his/their first female incarnation as Jodie Whittaker in the role, well... I'd be lying if I said that I wasn't cautiously optimistic.  I was willing to give her a chance.  But such a change was fraught with risk, and I'll say something here that I've said many times in the past few years: there is a dynamic at work throughout the Doctor Who franchise, between The Doctor and his companions, and that should never be "tinkered" with.

But I still was willing to let Whittaker, and new showrunner Chris Chibnall, prove themselves.

Folks, I will readily admit to being one of the Chibnall era's biggest detractors.  For the first time it was readily obvious that THE MESSAGE(tm) really was seriously becoming more important in the show than... GASP!... actual character and plot.  And then there was the "Timeless Child" notion that completely obliterated most of the canon about The Doctor's very existence.  Strangely I don't blame Whittaker herself.  She was just playing the role, she had no say in what the show's execs intended for her time as The Doctor.  I absolutely believe that in better hands she could have been an amazing Doctor.

But that wasn't to be.

And then it was announced over a year ago that Russell T. Davies was coming back to helm Doctor Who.  And again, I found myself cautiously optimistic.  Ideally it would be Steven Moffat, who took over the reins following Davies' first tenure, as THE ONE who would restore order to the Whoniverse.  But it seems that is not going to ever happen again, leaving Moffat's era - which encompassed Matt Smith and Peter Capaldi's respective Doctors - a brilliant diamond forever shining bright across the annals of the television medium.

"Cautiously optimistic".  I really was.

Then came the past few weeks, and Davies' insane changes to much-beloved villain Davros.  One fan posted an eloquent defense of the original Davros design on X/Twitter.  Davies replied: "Tough".  Which was definitely not an act becoming a conscientious and responsible steward of the Doctor Who mythos.

And then the advance word of "The Star Beast" special started filtering down.  And even the BBC admitted that the special was being driven by "The Message".

Much like what happened that night on the Doctor Who Echo on FidoNET nearly three decades ago, I began finding other devoted Who fans, who were becoming increasingly rattled by these developments and Davies' attitude.  Some serious dissent was brewing across the Intertubes.

It all came to a head yesterday, with the premiere on BBC and on Disney+ (yes, Disney is now partly running Doctor Who, which may explain some things) of "The Star Beast".  And X/Twitter's most trending topic for most of the day was "RIP Doctor Who".

I read a lot of those tweets.  I made a few of my own also, sharing some thoughts about how liberalism corrupts and destroys everything it touches (it really does).  And could it be that liberalism has now brought down Doctor Who?

Well, I made up my mind as I was working throughout most of the day.  I had to see "The Star Beast" for myself.  And make up my own mind about it.  A longtime reader of this blog made it available to me.

I just spent an hour watching "The Star Beast".

People, it's impossible to shine a turd.  But it can sure have lots of glitter thrown at it, in the desperate hope that some of it will actually stick.  However in the end all you're left with is glittery sh-t.

Words cannot possibly contain or convey how much I absolutely hate this "special".  It was so much WORSE than anything I was braced for.  So many times I wanted to give up, but noooooo I had to ride it out.  Had to be willing to give it a chance to redeem itself.

There is no redemption for "The Star Beast" and it's glaringly evident that there is no redemption for the Doctor Who franchise in Russell T. Davies' grip.

Yes, THE MESSAGE does loom large.  Like the atrocious Absorbaloff from the reprehensible "Love & Monsters" episode (don't go looking for that, please), it gobbles up and dissolves into nothing everything it touches.  The only people who are apparently crazy about this hour-long chapter are hardcore leftists, the sexually deviant and trans-activists of the kind that lately stalk J.K. Rowling like so many rabid hyenas.  Not even the return of David Tennant and Catherine Tate to the saga can raise hopes that the Davies era is going to be anything but "progressive" in your face as long as he's in the big chair.

("Binary gender" is now a superpower.  And The Doctor must now take care not to tread wrongly and "mis-gender" anyone.  Just two of the atrocities committed during the running time of this... thing.)

I have a theory.  I've shared it on X/Twitter a few times.  Here it is: Russell T. Davis has become aware that he is mortal.  That one day he will shuffle off his mortal coil.  As a homosexual man he has no children.  He has no posterity, other than his body of work.  But that's not enough to satisfy him.  Davies is suddenly aware of the ingrained NEED to perpetuate himself.  And that's what is driving him most with his return to Doctor Who.  Russell T. Davies of 2005 was not like this.  THAT Russell T. Davies also had no issue with bringing Davros back in his classic form.  But TODAY's Russell T. Davies is now cognizant of the reality that he will DIE someday, and maybe sooner than later.  So he is now hell-bent on proliferating his sexual politics and hard-left agenda through Doctor Who and impose that upon generations to come.

Perpetuating himself through his creations, which are only meant to tear apart and destroy.

Clearly, Russel T. Davies has become that which he claims to hate.  Davies has become Davros.

I feel like I'm just getting started with how much "The Star Beast" let me down.  And apparently it let a lot of other people down also.  Broadcast figures from its premiere indicated that only about 5 million or so people tuned in.  Definitely not the ratings that "The Day of the Doctor" special ten years ago on the fiftieth anniversary earned.

The next special, "The Wild Blue Yonder", transmits this coming Saturday.  Followed by "The Giggle" and then the Christmas special that sees Ncuti Gatwa becoming the Fifteenth Doctor.  I have to wonder what these upcoming specials will gain in terms of viewership... if they gain anything substantial at all.  I kind of feel sorry for Gatwa.  I've seen some of his work and he would make an outstanding Doctor... but then again, Whittaker could have been an outstanding Doctor already, had it not been for The Message(tm) having the priority over everything else.

Okay, that's it.  I'm done with Doctor Who.  Maybe forever.  This show died in that blinding white light at the end of the Twelfth Doctor's regeneration.  Nothing since has been up to snuff and it sure looks like nothing yet to come is going to be proper Who either.

Incidentally, I spent Thanksgiving Day afternoon - the sixtieth anniversary of "An Unearthly Child", the very first Doctor Who episode - watching some of my many DVDs of the show's classic era.  First was the Fourth Doctor story "The Deadly Assassin" and then there was "The Five Doctors".  I celebrated The Doctor and everything good that he has stood for, for decades.  I'm very thankful for those DVDs (and I still have that VHS tape of "The Five Doctors").

To me, there is no more Doctor Who now.  It began with "An Unearthly Child" in 1963 and it ended with the final Peter Capaldi episode.  Everything since has been about nothing but forwarding THE AGENDA.  Doctor Who is now in the hands of people who do not now and might never have truly appreciated The Doctor and his universe.

But as Russell T. Davies put it so beautifully: "Tough".

Let us be grateful that we had The Doctor and his companions and their adventures for as long as we did.  And for now, there is still physical media of the classic series (and even many of the revived show) that can be purchased and archived away.  I recommend that you do that now, before Disney+ becomes the only means of watching the show at least here in America.  There is some genuine value in physical DVDs and Blu-rays and even videocassettes.

But as for what Doctor Who has now become?

Maybe there is some value in what the show is turning into.  Perhaps people better than I will look at what Doctor Who is morphing toward, and politely tell Davies and his woke minions that "oh yes that's nice!" when secretly they loathe it.  Kind of like a grown-up looking at the mad scribblings in crayon of a five-year old, who insists that it's a beautiful work of art.  And maybe the drawing will be put on a refrigerator door, before eventually being taken down and relocated to the basement.  Where rats and roaches will finally chew up its fading paper.

Let it fade.

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Changing Doctor Who's Davros is officially the STUPIDEST thing I've seen all year

The Doctor - the titular hero of the long-running BBC series Doctor Who - has had many, many enemies in his sixty years of saving the universe.  Everyone from Cybermen to The Master to the Weeping Angels to... well just about anything you can come up with has been a potential threat.

But there is one foe who is above and beyond the rest: Davros.  The insane creator of The Doctor's oldest nemesis, the Daleks.

From his first appearance in the 1975 Tom Baker-era story "Genesis Of The Daleks", Davros has gripped viewers as few Who characters did.  Bound to a life-support vehicle, only one usable arm, his natural eyes blinded necessitating a cybernetic replacement... Davros is someone who sought to perpetuate himself through his creations.  And he never cared who got in the way.  That one mechanical hand of his is stained with the blood of trillions of sentient beings across the span of thousands of years.  It could be readily argued that Davros is the greatest villain in fictional history, in terms of people killed and civilizations destroyed.

And now, returning Doctor Who showrunner Russell T. Davis has gone and ruined Davros in the name of leftist insanity.

Davros returned the other night for a Doctor Who "Children in Need" special.  And though it was billed as a comedy sketch, Davies has been most forthcoming in declaring that this is the Davros we are going to be seeing from now on (or at least as long as Davies is in the big chair).

Behold "Davros" on the left, compared to classic original Davros on the right:

Yup.  Davros is now just a regular Joe Shmoe, without ANY of the accoutrements that obviously inspired him to create the Daleks in his image.

As for WHY Davies is doing this to such a classic and iconic character, his reasons are... well, ridiculous.  From the story at the Radio Times website:

Speaking on new BBC Three companion series Doctor Who Unleashed, Davies said: "We had long conversations about bringing Davros back, because he's a fantastic character, [but] time and society and culture and taste has moved on. And there's a problem with the Davros of old in that he's a wheelchair user, who is evil. And I had problems with that. And a lot of us on the production team had problems with that, of associating disability with evil. And trust me, there's a very long tradition of this.

"I'm not blaming people in the past at all, but the world changes and when the world changes, Doctor Who has to change as well.

"So we made the choice to bring back Davros without the facial scarring and without the wheelchair – or his support unit, which functions as a wheelchair.

"I say, this is how we see Davros now, this is what he looks like. This is 2023. This is our lens. This is our eye. Things used to be black and white, they're not in black and white anymore, and Davros used to look like that and he looks like this now, and that we are absolutely standing by."

This ranks right up there with how the show fired Colin Baker back in the day.  It's even right up there with the reason American network ABC cancelled Police Squad! forty years ago (ostensibly because people actually had to WATCH the show in order to "get" it).

Where does this stop?  Will Cybermen now be referred to as "Cyberpeople"?

Hey, I know: Disney is the American distributor of Doctor Who now.  Let's go all out and get rid of Darth Vader's trademark breathing, since it's obviously unfair to asthmatics!

I say not for the first time: leftism corrupts and destroys everything that it touches.  There is nothing progressive about "progressivism".

Look dammit, that is NOT a "wheelchair".  That is a mobile life-support system, that gives Davros a range of movement after he was direly wounded in an attack by the Kaleds' mortal enemies the Thalls.  Davros can't live without it.  That it gives him lower body mobility is beside the point... or not.  After all it did inspire the look of the Daleks.

I honestly cannot believe the BBC is letting Davies eviscerate such a renowned character.  It is beyond crazy.

Well, if this is the way they want to go, let 'em.  I don't have to watch Doctor Who and neither does anyone else.  But the beautiful thing about this series is that there's no real consistency.  Perhaps someday a more sane showrunner will bring back Davros as he is most known and feared.  Just as I look forward to the "Timeless Child" being retconned out eventually.

Until then, Who has lost me.  And I imagine it will have lost a lot of older and more dedicated fans as well.

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An offer to Russell T. Davies, about Doctor Who

Dear Mr. Davies,

Greetings good sir!  I know this is a very exciting time for you, so I thank you for taking the time (I hope) to read this proposal.  Please know that I have been a fan of your helming of Doctor Who since that very first episode with Christopher Eccleston as the Ninth Doctor.  I am looking forward to where you are taking the series next, especially with the return of The Toymaker and the debut of Ncuti Gatwa as the next Doctor.

However, Mr, Davies, I am somewhat dismayed that you are apparently not turning some attention toward addressing the matter of "the Timeless Child": by far THE most controversial thing that has happened to the franchise in its entire history.

Kindest sir, I am not alone in the belief that the Timeless Child subtracted from and even destroyed the mystique that The Doctor has had since the very beginning.  We are NOT supposed to know The Doctor's origins.  The Doctor is a cipher, for all that is best within us.  The Doctor is our surrogate in a magnificent universe and he belongs to ALL the ages, whoever or whatever he is supposed to be.  Your predecessor brought that to a grinding halt.  And indeed, I know a few who have stopped being fans of Doctor Who entirely, they were so disappointed by the development.

It's an issue I have devoted maybe too much time toward pondering about.  How does Doctor Who regain its sense of original mystery again?

So let me cut to the heart meat of the matter, my good fellow:

I have come up with a solution to the problem of the Timeless Child.

It is simple.  It is elegant.  It makes The Doctor an entity shrouded in mystery once again.

Here's the kicker: it does NOT invalidate or repudiate the work of your predecessor, Chris Chibnall.  It actually BUILDS upon that, in a pretty cool way.

I am presently living in South Carolina, in the United States.  Currently I am an aide to students with special learning needs.  I have also been a mental health worker, a filmmaker, and technical writer among many other professions.  I would not want monetary compensation or even any acclaim, if you might permit me to come to the United Kingdom and offer my assistance.  All I want is a chance to bring The Doctor back to his/her/their place of enigma.

Okay, there is ONE thing I would ask for, if you happen to have a spare one around.  I would like a full-size Dalek.  The classic design from the Jon Pertwee and Tom Baker eras.  Because that's the style that most sent me hiding behind the sofa when I first discovered Doctor Who as a child in the 1980s.  That would be a very nice conversation piece in my living room.

Well, that is my proposal.  If you believe this is something you would be interested in, please feel free to contact me at theknightshift@gmail.com and we can discuss moving forward from there.

Thank you for taking the time to read this.  And again, I am most eager to see what you have cooked up for Doctor Who's sixtieth anniversary!

Most sincerely yours,

Christopher Knight

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Trailer for Doctor Who sixtieth anniversary specials

Doctor Who needs a hard and fresh return to the franchise that that we know and love, above and away from the mess of the Thirteenth Doctor era (which if we're going to be honest really can't be pinned on Jodie Whittaker, she was just working with some really bad material).

I don't know if that's what is coming in the next few months with the specials commemorating the show's sixtieth anniversary (seems like just yesterday we were celebrating its fiftieth) but the pics and the new trailer that dropped over the weekend have me warefully optimistic.

The last time we saw The Doctor, she (ugh!) had regenerated - clothes and all - into a perfect facscimile of the Tenth Doctor, once again played by David Tennant.  However the showrunners seem to insist that Tennant is playing the Fourteenth Doctor.  Which means this is really Tennant's fourth or fifth character with the Tenth Doctor's face he's portrayed since 2005 (just work with me 'mkay?).

So going into the sixtieth anniversary specials it will be David Tennant as... Doctor Who-ever... and joining him is none other than Donna Noble, again played by the delightful Catherine Tate!  Although one seems to remember that last time we saw The Doctor and Donna together it was made clear that they couldn't see each other again.

Clearly, the BBC is throwing caution to the wind...

Here's the trailer for the specials, which materialized about 48 hours ago:

And at last, the BBC is confirming that Neil Patrick Harris, who had long already been announced as being in the specials, is going to be playing The Toymaker: a villain not seen since the William Hartnell era in 1966.

Is it just me, or does Harris as The Toymaker seem poised to chew up the scenery more than any Who bad guy since Davros?

The big celebration kicks off in November.  And I'm very much hoping we get at least a fleeting cameo of Matt Smith as the Eleventh Doctor.

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And the Fifteenth Doctor will bear the face of... Ncuti Gatwa!

The announcement already came a year ago, that the Fifteenth Doctor on the British television series Doctor Who is going to be portrayed by Rwandan-Scottish actor Ncuti Gatwa.  Now as things begin really ramping up for the show's sixtieth anniversary in November, the BBC is showing its cards a bit.

Here is Gatwa giving us a glimpse of what's to come:

Number Fifteen's attire reminds me a bit of Christopher Eccleston's Ninth Doctor.  The way he's got his hand gesturing brings to mind the early photos of the Twelfth Doctor played by Peter Capaldi, or maybe Jon Pertwee's Third Doctor.  Gatwa's Doctor looks like he means business, as if he's saying "Okay, fun and games are over, let's get down to brass tacks."

Be mad at me if you will, but I'm very glad the Doctor is a man again.  No offense to Jodie Whittaker, but there is a dynamic between the Doctor and his companions and you just don't mess with that.  My personal favorites to be the Doctor after Thirteen's regeneration were Idris Elba, and Tilda Swinton playing against gender and portraying a male Doctor.  But I think Gatwa will be fine.

Now, if new/previous showrunner Russell T. Davies can just fix that STOOPID "Timeless Child" nonsense...

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Ten years ago today...

...Doctor Who returned.

"Run."

The first episode since 1989 was titled "Rose". London shop associate Rose Tyler stumbled across murderous store mannequins and then came to be rescued by The Doctor. Christopher Eccleston was the first actor of the revived series to portray the legendary Time Lord.

In those early days before Doctor Who became a true global phenomenon, its loyal base of die-hard fans were doing anything to watch the new episodes immediately, instead of waiting a year or so before they aired outside of England.  A lot of us learned how to download via torrent because of that first new season of the show, I'm telling ya.  We would not be denied our Doctor!

Ten years.  Wow.  Who would have thought that a full decade later, the Doctor Who mythos would be as world-renowned as it has become?  Being a fan since watching the Tom Baker episodes on PBS, I can still hardly believe it.

Happy anniversary Doctor Who.  Don't go on hiatus again, ever!

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Official Doctor Who LEGO sets are coming!

We will soon have a TARDIS officially rendered in LEGO...

That pic is just the proof of concept from two guys who submitted their design through the LEGO Ideas page and have had it approved.  The actual sets will probably look somewhat different.  But even so... we're getting BBC-approved Doctor Who LEGO sets y'all!!

Nerd Approved has a lot more about this awesome news.

I wonder if the little Weeping Angels minifig moves when you're not looking at it...

"Everything is Awesome!"

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It's a very Dalek Christmas!

Okay, that's it.  I give up.  I didn't know how having a Christmas this year was going to be at all possible.  In light of everything that's happened in the past nearly two months, yuletide joy was something that seemed way past feasibility.  Although, I haven't begrudged anyone from having that.  Just feels like I'm on the outside looking in this year, is all.

But then before tonight's performance of It's A Wonderful Life: The Musical two young ladies who I've been working backstage with surprised me with a little something.  And as I told Joy and Makia, this has to be the sweetest thing that has happened to me since Lord knows when.

Look!  Dalek action figures from Doctor Who!

Joy and Makia spotted these in a nearby store and... well, words cannot possibly convey how touched I am to be given these by two such wonderful people.  As you can see that's the classic Dalek seen in "Genesis of the Daleks" from 1975 during the Tom Baker era.  Along with one of the utterly insane variants witnessed two years ago in "Asylum of the Daleks" from the midst of Matt Smith's reign as the Doctor.

I can't help but feel some Christmas cheer now.  It's A Wonderful Life is a story about how every life has meaning.  Your own life too.  Even if you can't see on your own how it could be.  In the end George Bailey discovered that he had riches that he never imagined, and right now - in the midst of where life has led me these past few months - being given these Dalek figures by two friends I've made through this production has let me feel much like George Bailey.

Incidentally, these are the very first anything of the Daleks that I've ever owned.  I've been a fan of them for almost as long as I've been watching Doctor Who (more than thirty years now) but for whatever reason I've never had any to call my own.  They now have a very special place of honor: on my "motivational table" on my computer desk, sitting next to the monitor.  It has things on it that I sometimes look at while I'm writing my book.  Already on it are Emmet and Wyldstyle minifigs from The LEGO Movie, and three expansion packs for the Star Wars: X-Wing Miniatures game (which will remain unopened and unplayed-with until my work on the book is finished).  Two Daleks in the fore of it all is going to be the cherry on top, 'cuz hey: it's tough getting more motivational than having two Daleks aiming their guns at you, right?

Thanks again to Joy and Makia for giving me a lot to smile about this holiday season :-)

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What the #&@% did I just watch on DOCTOR WHO this week?!?

To: Steven Moffat
From: Christopher Knight
Subject: This week’s new Doctor Who episode “Dark Water”

Dear Mr. Moffat,

You have crossed a terrible, terrible line with this episode.

The same was said of what we came to know as the War Doctor.  This, somehow, is far more insane and certainly the boldest thing yet seen on Doctor Who.  So bold, that you may have finally gone too far.

I hope you know what it is that you’re doing.

Sincerely,
Chris

p.s.: do NOT consider doing this to the Doctor himself.  The consequences would be disastrous.  I could see someone of the opposite gender in the role, but not the character himself.

p.p.s.: I am compelled to state for the record that what you did is actually better and truer to that particular person than happened on Russell T. Davies’ watch and that "Missy" is a fine addition/extension of the Who mythology.

p.p.p.s.: Roger Delgado will always be the best!

p.p.p.p.s.: somehow, I think Delgado would have admired what you have done.

p.p.p.p.p.s.: oh yeah, “Dark Water” is the best episode of the Peter Capaldi era by far!!

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So... you wanna watch Chris play the Doctor Who theme on his dulcimer?!?

Sure.  Why not...

I've mentioned a few times that ever since late spring I've been taking lessons on playing the mountain dulcimer.  So far I've notched up quite a repertoire but I'm still learning the real basic mechanics of what is truly a beautiful instrument.  Still, I've come a long way in a short amount of time :-)

Anyhoo, from the very beginning I've had in mind to play the Doctor Who theme on dulcimer.  It's something that I've played around with for awhile now and... well, I think that I've got it.  Just needs a little more finesse, is all.  Only tonight did I figure out the last half of the second strain of the theme.  When I get really good I'll string them all together nice and flowing.

Okay, so if you want to see and hear what I've done so far ummm... well I can't post it on YouTube at the moment 'cuz for some reason YouTube doesn't like it when I try to publish from my iPad.  But fear not!  I've uploaded the video onto Facebook and made it public so that anyone can watch it.

Just a work in progress.  Next time it's gonna be even better but I'm still rather proud of how it's turning out already :-)

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"Flatline": Chris declares this week's DOCTOR WHO to be nothing less than astounding and brilliant!

It's been 45 minutes since the transmission (heh-heh-heh, did you see what I did there, saying "transmission" like they always do in Britain?  That's all I got...) on this side of the pond of "Flatline".  And with each passing minute I'm coming to be convinced more and more that this episode of Doctor Who may be one of the very best since the legendary "Blink" of David Tennant's era.

Yes.  It's that good.

"Flatline" was classic old-school mystery/horror and along with the past few episodes I'm reminded a lot of the more terrifying stories from the Tom Baker years.  This was no exception, and along that trend "Flatline" is the finest of the bunch.  In fact, I would even go so far to say that this was the greatest episode of Peter Capaldi's run we've seen so far.  There were some real "hiding behind the sofa" moments in this episode and I think it will be a solid entry on a lot of fans' "favorite Doctor Who stories" lists.  It was also - it goes without saying - replete with plenty of humor (especially in regard to the teeny-tiny size that the TARDIS exterior begins to be).  You can tell that Capaldi is really settling into his role as the Twelfth Doctor and that he's having a wazooload of fun with it.  The chemistry between him and Jenna Coleman's Clara is a sincere delight to behold, and "Flatline" may be the best example yet of that.

So what made "Flatline" so awesome?

1.  The most terrific interaction we've seen yet between Clara and the Twelfth Doctor, despite the fact that they were rarely together (more or less).

2. Clara standing on her own two feet and showing what she's capable of when practically alone.

3.  The incredible shrinking TARDIS (and won't the toymakers go crazy with that one...)

4.  A cerebral concept that was brilliantly executed and was quite easy to follow along.

5.  Secondary characters that viewers could readily empathize with.

6.  The Boneless: perhaps the most original new monsters since the Weeping Angels arrived in "Blink" several years ago.  And just as horrific.

7.  The "I am the Doctor!" scene where the Doctor breaks bad and reminds us that no matter how afraid we may be of the monsters, the monsters will always be afraid of the Doctor.

All in all, "Flatline" is an absolute hoot of an episode and I'll no doubt watch it again from my DVR before the weekend is out (maybe before tomorrow night's The Walking Dead).

Something else that I've been meaning to mention.  I am really digging the music that Murray Gold came up with for the Twelfth Doctor's theme.  There is an epic majesty and sense of mystery to it that complements Capaldi's Doctor just as spot-on as "I Am The Doctor" was for Matt Smith's.  Here's hoping that the BBC won't be long in putting out a Series 8/Season 30-something soundtrack.  Then again, we're still waiting for that score from "The Day of the Doctor"/"The Time of the Doctor" from the fiftieth anniversary last year.  What's the hold-up on that anyway?!

But guess what?  I found out tonight that November 8th sees the return of Doctor Who to PBS!  That's also the night that BBC America broadcasts the season finale.  So that'll be at least two hours of Doctor Who spread out across two networks.  Doctor Who once again on PBS every Saturday...

...somehow, that makes things seem a little brighter in the world.

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Thoughts on this season's DOCTOR WHO thus far

Two things have been the focus (okay, focii) of my faculties in recent weeks.  The first, of course, has been working on my book.  Chapters 1 through 11, as well as the preface and the prologue, are now locked-down and pretty much finished apart from some, shall we say, "supplementary material" that is going to provide a very intimate look into the mind of a manic-depressive.  Those chapters constitute Part 1.  I'm going to start writing Part 2 tomorrow.  And the chapters for Part 1 aren't the only ones already finished: the first several that I wrote haven't been assimilated into the main manuscript yet.  Those will add substantially more material.

But yesterday afternoon I took some time to read the preface, the prologue, and Part 1.  I made note of how long it took to read all of that.  It took a little over two hours.  Factoring in that my reading was probably faster than a first-timer's because I'm already intimate with the material, that might be two and a half, to three hours reading time thus far.  If it comes out around five or six hours, that should be plenty.  Anyway, I'm quite happy with progress thus far!

The second thing that has been on my mind has been Doctor Who, and Peter Capaldi's first steps as the Twelfth Doctor which began in earnest with the season premiere "Deep Breath" two weeks ago.  Since then we've had "Into the Dalek" and last night's "Robot of Sherwood" (penned, I noticed, by Mark Gatiss, who seems to be everywhere lately).  And I've had some time to think about it all.  And what do I make of the Doctor's adventures thus far since his regeneration from the Matt Smith era?

There is a scene that accompanies every regeneration.  It has never had a formal name.  I call it the "assumption scene".  The regeneration itself is the renewing of the Doctor's body and the beginning of his new personality.  Everyone knows that.  But for me that's never been the real beginning of a new Doctor's career.  That comes later.  It comes when the Doctor properly assumes the role along with whatever costume he has chosen for the part.  "The Christmas Invasion" in 2005 has David Tennant's Doctor running around in pajamas and defending the Earth, but for the most part that was not the Doctor.  Not yet.  He's the Doctor when he comes out of the TARDIS's wardrobe in his now-classic duds and shows up at the Tyler's flat for Christmas dinner.  Then he was the Doctor.  The rest of the time since regenerating from Christopher Eccleston he was a "quasi-Doctor".  And then in "The Eleventh Hour" there was Matt Smith running around in the Tenth Doctor's rags.  Toward the end of the episode he takes new clothes from the hospital's locker rooms, takes on a new look (especially the bow tie) and stares down the Atraxi... and then in that climactic moment he declares once and for all "I am the Doctor".

That is the moment when Matt Smith truly became the Doctor.  The assumption scene.  Which to me is just as crucial for the new Doctor's career as is the regeneration itself.

So I was looking forward to the assumption of Peter Capaldi's Doctor into his role.  And I'm still trying to digest it.  It is definitely Capaldi stepping into the role he has dreamed of having for most of his life.  I just wasn't expecting... well... a Doctor so dark taking over the controls of the TARDIS.

And I think that's a good thing.

His costume alone says volumes.  I didn't write about it when it was revealed but I've loved that look ever since.  It definitely has a healthy dose of Jon Pertwee's ensemble (absent the ruffles) but there's also the First Doctor's look, a dash of Eighth Doctor's attire and a healthy pinch of the Ninth Doctor's outfit.

Peter Capaldi's outfit is what I call "the Johnny Cash costume".  He's the Man in Black of the Time Lord set.  This costume confidently tell us "The fun and games are over, time to get serious."

But of course, it's not the looks alone that a Doctor make.  Most of all, there is the personality.  What that actor brings of himself into the role.  What makes the current generation of the Doctor his own.

Three episodes in, and Capaldi is nailing it.  He is absolutely bringing it as the Doctor.  And the more I watch him the more I'm discovering that he's already among my favorite incarnations of the runaway Time Lord.

Now, a look at the individual episodes...

"Deep Breath" almost... almost... completely satisfies as a story.  That, despite having all of the elements there for a proper explosive first story for the new Doctor as was his regeneration in last year's Christmas special.  I mean, we have dinosaurs.  We have mysterious deaths.  We have the return of Vastra, Jenny and Strax (who never fails to crack me up).  Clara (Jenna Coleman) is increasingly becoming one of my fondest companions in the entire history of the show, especially with her performance in that final scene.  And the new Doctor's gradual process of taking on his proper role is frantic and manic and just plum delightful to watch in spite of his utter confusion (again, this is a good thing).

Where "Deep Breath" went wrong for me is that it seems too long of an episode.  I think it was an hour and a half?  There could have been some editing of the second half and it wouldn't seem to have been bogged down in that section of the episode.  But that's really a minor quibble in the scheme of things.  And it more than made up for it in the the scene with the telephone at the end (you know what I'm talking about if you've seen it, and if you haven't then I'm not going to spoil it here).

I will also say this: the return of the clockwork robots was an utter delight.  When I first saw their inner workings in the half-faced man I wondered if Moffatt was taking us back into "The Girl in the Fireplace" territory.  And when the Doctor pulled that circuit out of the console and we see the name imprinted upon it... well, I nearly shrieked with delight.  Because "The Girl in the Fireplace" is my #1 favorite episode of the revived series's run and some consider it to be the finest Doctor Who story ever.  That also made up for what might have been too long of a running time for this episode.

I'd give "Deep Breath" 4 and 1/2 sonic screwdrivers out of 5 on The Knight Shift's longstanding rating system for Doctor Who.  Didn't quite hit the mark completely, but it's pretty dang close.  And I will go on record as saying that I thought the "assumption" scene was spot-on for this new Doctor.

Now... "Into the Dalek"...

With all due respect to Mr. Capaldi and that this was the one thing he was looking forward to most as the Doctor, this episode came way too SOON for his tenure.  For two reasons.  First, out of the four most recent stories ("The Day of the Doctor", "The Time of the Doctor", "Deep Breath" and now this episode) the Doctor has faced the Daleks three times.  Dear Steven Moffatt: please give the Daleks a rest for a while.  Yes, we love the Daleks.  We love to hate the Daleks.  But there is such a thing as too much Dalek.  I'm sure Terry Nation's estate is eating all this up like gangbusters but it's simply over-saturating the Doctor Who mythos right now.  I wouldn't mind if the entirety of next season was without a Dalek story.  If there is one, then the only way it could merit that is if it had the return of Davros... and even that would have to be pretty gosh-darned worth it.

So for the Twelfth Doctor's sophomore outing what do we get, but a Dalek episode.

I thought "Into the Dalek" was a fairly good episode, but as I said it just came too soon.  And this goes to the second reason why I say that.  It's because Peter Capaldi needs to "earn some flying time" before taking on the Doctor's oldest and greatest adversaries.  He's still showing us that he really does have the chops to fight the classic bad guys, and not just the Daleks but also the Cybermen and the Weeping Angels and all of that lot.  But I will also say that "Into the Dalek" is the first episode that gives us the Twelfth Doctor in all his magnificent glory... and I think that it will only get better.

"Into the Dalek" receives 3 and 1/2 sonic screwdrivers.  With most of the deductions going for, I say again, that it comes too soon in Capaldi's reign.  Here's hoping that Moffatt and crew will recognize this and lay off the Daleks for a spell.

And then there's this weekend's entry "Robot of Sherwood".

This was a total hoot of a story to watch!  Not the least of which is that the chemistry is getting better and better between Clara and the Twelfth Doctor.  In "Robot of Sherwood" she really does come across as having accepted that this actually, seriously is the Doctor that she once knew with Matt Smith's face.  It's not just her playing alongside a different actor carrying the name now.  "Robot of Sherwood" I think marks the true beginning of the dynamic between the Twelfth Doctor and Clara.  We see that in the first scene when the Doctor asks Clara where she wants to go and she gleefully replies Sherwood Forest in the time of Robin Hood.  Which of course, the Doctor knows wasn't real.

Or was it?

Without spoiling it for anyone who hasn't watched it yet, "Robot of Sherwood" was just plain rollickin' fun to behold.  Capaldi gets to show us a more action-oriented Twelfth Doctor, maybe even a Doctor that we have rarely seen embrace the role quite so vigorously.  The archery scene is hilarious.  And the revelation of what is really going on was quite satisfying.  I thought that there was quite a bit of "Robot of Sherwood" that hearkened to "State of Decay" from Tom Baker's Fourth Doctor era.  And that's not a bad thing either.

I'm going to give "Robot of Sherwood" a score of 4 sonic screwdrivers.  And I'm going to note that if this episode is any indication, the production and the writing for the Twelfth Doctor's time is getting better with each new story.  It's going to be a lot of fun to see what is going to transpire throughout the rest of the season.  But please, Steven Moffatt: NO MORE DALEKS FOR AWHILE!

(But I won't mind an extra helping of Strax, if you won't mind :-)

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Peter Capaldi's first full day as the Doctor...

More than any other Doctor previous, it seems like there was no initial "sinking-in" period when Peter Capaldi made the transition from Matt Smith during "The Time of the Doctor" almost two weeks ago.  Maybe it had to do with how the Twelfth Doctor flashed into existence instantaneously before our eyes, rather than have a lengthy regeneration sequence.  One moment I was on the verge of tears watching Smith's beautiful departure, and then WHAM!! without warning it's Capaldi ranting about his kidneys and screaming "DO YOU HAPPEN TO KNOW HOW TO FLY THIS THING?!?"

 
It's not a pic of him yet after he picks what will become his signature look (in fact he's still wearing the clothes that Matt Smith's Eleventh Doctor was wearing) but the BBC has released a photo of Capaldi (along with Jenna Coleman) on his first day on the set for a Doctor Who story of his very own!

That must be the proverbially happiest kid on the planet right now.  Coleman is looking pretty excited too :-)

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This year's DOCTOR WHO Christmas special: What DID Chris think of "The Time of the Doctor"?

I loved it!!  But first...

If if was nothing else, it had to be said: 2013 was the Year of the Doctor.

The anticipation for Doctor Who's fiftieth anniversary ramped up fast after the year began.  The coming of Jenna Coleman's Clara as a regular companion certainly started things off nice.  Some of the ensuing half-season was a little touch and go, but otherwise it proceeded in fine style...

...and then came "The Name of the Doctor".

More than half a year later, in spite of everything that we've watched since, I'm still feeling numbstruck by the season finale (find my review here).  Throughout the ensuing summer and fall I think a lot of us were tormented with the thought: had Steven Moffat finally lost it?!  For the first time ever Doctor Who seemed poised to derail completely.  The image of that unknown incarnation of the Doctor, "the one who broke the promise", turning to show us the grizzled visage of John Hurt and those big letters onscreen letting us know in no uncertain terms "this IS the Doctor!!" is one that will forever be burned into my pop cultural gray matter.

But "The Day of the Doctor" - the fiftieth anniversary special - restored all faith in Moffat as a showrunner.  No, more than that: Moffat is arguably the finest custodian of Whovian mythology we have seen since... well, maybe since before John Nathan-Turner's era.  "The Day of the Doctor" was everything an anniversary celebration should be: a "love letter" to the fans, a story that drastically expanded the Whoniverse and top it all off it was a story that totally changed the course of the series.  For eight years we've seen the Doctor as a scarred and wounded veteran of the Time War: a man haunted by the choices he had to make in order to keep all hell from breaking loose across the width and breadth of creation.

The Doctor is a wounded man no more.  Now he's a man with the greatest mission of his life: to find Gallifrey.

Well played, Moffat.  Well played indeed!  And that appearance by Tom Baker was the prettiest bow that a gift to the fans could possibly have had.

It was early summer that Matt Smith announced he would be retiring in this year's Christmas special, handing the role of the Doctor to a new actor.  And then came August, and the massive hype about the reveal of the next Doctor: a part that we found would be filled by Peter Capaldi.  So coming on the heels of the fiftieth anniversary special, this year's Christmas story had to be a fitting swan song for the Eleventh Doctor and for the actor who reigned during the most explosive popularity of the entire franchise... and ring in the new with the Twelfth Doctor.  A lot to live up to, no doubt...

So... what did I think of "The Time of the Doctor"?

It was not perfect.  But... yes, I loved every minute of it!

It's glaringly obvious that Moffat was trying to shoehorn in a lot of material that likely had been intended for another season with Matt Smith as the Doctor, in an attempt to tie up all the loose ends since the Doctor last regenerated.  Even so, I think it was as good a job as could possibly have been done.  Ironically this is also the Doctor Who story that covers a bigger span of chronological time than any other previous: more than 300 years, from the time the Doctor and Clara first arrive in the town of Christmas up to the final showdown with the Daleks attacking Trenzalore.  Yes, it would have been fun to have seen all of this unfold over another season... but we still got a great tale and a fitting Christmas special at that.

Did anyone else think that the very-aged Doctor hearkened back to William Hartnell as the Doctor?  Because I can't but think that maybe the First Doctor, in his younger days, was much like the Matt Smith we have witnessed during the past four years: Smith wanted his Doctor to be "an old man in a young man's body".  Now we've seen him play the Doctor as a young man in an old man's body... and for some reason it makes Hartnell's First Doctor... well, more modern-ish Doctor, if that makes any sense.  In any case it was a terrific and bold direction to take the Doctor in his final journey with the part.

One of the bigger mysteries of Doctor Who is one that was set up all the way back in "The Deadly Assassin" nearly forty years ago: how would the "twelve regenerations" limit be dealt with?  This was one of my favorite things about "The Time of the Doctor": Moffat showing us that the twelve regenerations have already transpired, because they included the Tenth Doctor's little stunt in "The Stolen Earth"/"Journey's End".  We don't have to wait until Capaldi decides to turn in the keys to the TARDIS: that little matter is now dealt with, presumably for the next fifty years or so.  At the end of which the Time Lords will probably decide they need the Doctor to stick around forever and just max out his life limit.

And speaking of regenerations: Matt Smith's was the best ever.  Yeah, I said it.  I'll always love David Tennant's bow but in retrospect that seemed a bit too sentimental, perhaps owing to how Russel T. Davies had the Tenth Doctor revisiting all the major characters from the Davies era.  There was no such gesture in "The Time of the Doctor", and yet Matt Smith's departure was far more poignant and heartbreaking.  During his final speech to Clara it was as if Smith was breaking the fourth wall and talking to us in the audience, telling us how much he appreciated his time as the Doctor and how thankful he was for our embracing him in the role.

It was by far the greatest regeneration scene in the history of the series.  It was the one by which all future regenerations will be measured, I think.  And Matt Smith left in a bang: everything from Clara's finding the Doctor in his rocking chair on through the regeneration itself is pure storytelling gold.  The scene of the Doctor atop the bell tower, raging defiantly against the Daleks ("We're breaking some serious science here, boys!" as he proclaims "Regeneration Number Thirteen... it's gonna be a whopper!" will go down as one of the most iconic Doctor Who moments ever).

The very last moments, when the Eleventh Doctor has that vision of Amy (a very touching cameo from Karen Gillan) and the Doctor letting his beloved bow tie fall to the floor of the TARDIS... that was the moment when the tears came, if they hadn't already.  I don't think anything else could have been as perfect a final moment as that...

But as soon as the crying finally hit, we got hit with the shock of Peter Capaldi's uber-manic entrance as the Twelfth Doctor.  It was the fastest regeneration ever and by far the most bewildering.  I mean, when your new Doctor's first words are "KIDNEYS!  I've got new kidneys!" you just know that there's some severe craziness incoming.

Matt Smith, thank you.  Because of you Doctor Who is bigger than it has ever been before.  And because of you, bow ties have never been cooler!  I'm the owner of an official Doctor Who bow tie... and I will be wearing it with pride for many years to come.

Eleven's time has drawn to a close.  Now bring on the Twelfth!

"The Time of the Doctor" gets 4 and 1/2 Sonic Screwdrivers out of 5 from this blogger.  And it's going to be a long, long wait until next fall when Doctor Who returns.  Maybe if we're good Moffat and his crew will give us another mini-episode like "The Night of the Doctor".  Please Mister Moffat, please??

Oh yeah, one last thing: bring back Handles!  Handles was one of the best companions ever!!  If the Doctor can fix K-9 then surely he can fix Handles.  Handles was awesome! :-)

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Okay, no more Doctor Who for awhile...

At least not until this year's Christmas special, "The Time of the Doctor".

But after watching the fiftieth anniversary special "The Day of the Doctor" for the dozen-ish time, the part where Clara asked the Doctor about what his promise was kept resonating with me.  And since I'm up at a crazy hour working, I took a break and did this:

For fifty years we have wanted to know what the Doctor's real name is.

That is the closest we will - and should - ever get to it.

And it's not a bad promise for anyone to make, when you think about it.

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The most bestest scene from "The Day of the Doctor"

"The Day of the Doctor" became a truly epic event: the kind of cultural milestone ranking up there with the premiere of Star Wars in 1977, Woodstock and the final episode of M*A*S*H.  The day after the fiftieth anniversary special of Doctor Who aired, Guinness certified it as the most-watched simulcast of a dramatic presentation ever.

I purchased "The Day of the Doctor" from iTunes as soon as it was made available and have watched it all the way through twice and some scenes many times.  And they were plentiful: "NO MORE", the Moment, the tribute to past companions (including Captain Jack Harkness, and why are River Song's red high-heels hanging there anyway??) in the Black Archive, all of those TARDISes that swooped out of nowhere, that very fleeting glimpse - with an anger and determination that would cower Hell itself - of the Twelfth Doctor's eyes, finally seeing the regeneration that produced the Ninth Doctor, the dream sequence of the Eleventh Doctor joining his previous lives as they look toward Gallifrey, all accompanied by a majestic score by Murray Gold...

All very wonderful.  Very beautiful.  Steven Moffat and his team pulled off what can only be described as the perfect Doctor Who story for the fiftieth anniversary.  One loaded with iconic scenes that have already become beloved by fans.

But there was one scene that stood tallest of them all.

It was the scene that most paid homage to where The Doctor has gone before while setting the stage for that which is yet to come.  The scene that sent Doctor Who fans worldwide into a collective gasp followed by screams of wild rejoicing.  And certainly what will prove to be the most pivotal scene of the series since its revival in 2005.

Here it is again for your viewing pleasure...


That surely will go down as the high point of Matt Smith's career as the Eleventh Doctor.  You just can't top sharing a scene with Tom Baker: the one who will, for many of us, forever be "my favorite Doctor".

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Just watched DOCTOR WHO: THE DAY OF THE DOCTOR

For various reasons, it was a very hard thing for me to get through and watch this.  Part of me wanted to "sit it out".  But I knew that later, however rough things are now, that I would come to regret it if I didn't.

I've been watching Doctor Who for a very long time and I've been blogging about the show ever since it first re-started in 2005, back when a lot of us had to bootleg it across the Internets after transmission in Great Britain.

I can't abandon something just like that, something I've come to care for and appreciate so much.  Something that I've been thankful has been there.  No matter how hard it becomes.  No matter how painful it is to face.  When you love something, you stay with it even if you grieve at times  You endure for it.

I can't leave something wonderful and then just ignore it as if it never happened.

So I need to say something about the Fiftieth Anniversary special, "The Day of the Doctor".

Here it is:

It was perfect.

Absolutely, fantastically perfect.

I can't think of how this mega-special story could have been any better.

And I especially loved "the Curator" at the end.

This is a story that actually gives me personal hope, about things past and things still to come.

I needed to see this.

Thank you, Steven Moffat, Matt Smith, David Tennant, Jenna-Louise Coleman, John Hurt, Billie Piper, William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, Christopher Eccleston... and that one fellow who's eyes were the only thing we saw.

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DOCTOR WHO overload? There's no such thing!!

Awright, 'fess up: How many others out there have their TV's tuned to nothing but BBC America all this past week?

This has become the single greatest week of television broadcasting in the history of anything.  Apart from an hour of BBC News early in the morning, it has been wall-to-wall Doctor Who.  And I have not got nearly enough of it.  The network even ran "Pyramids of Mars" from the Tom Baker era on Monday afternoon, followed soon after by the 1996 Doctor Who television movie.

My workload has been packed with freelance projects.  If I'm not watching it directly I've still had BBC America on the tube as I write and research.  It makes for excellent (or should that be Cyberman style and pronounced "EKS-selent"?) background noise, even inspiring.  Although the past few nights I must confess that my dreams keep getting invaded by Daleks screaming "Exterminate!  Exterminate!  EXTERMINATE!"

It's understandable that the Beeb is showing mostly the episodes of the revived era, from Christopher Eccleston's Ninth Doctor, David Tennant's run as the Tenth Doctor and Matt Smith's turn as the Eleventh Doctor.  But all of The Doctor's generations have been healthily represented in specials, from the "cosmic hobo" that Patrick Troughton made The Doctor in his second life to the Scottish-accented master strategist Sylvester McCoy as the Seventh Doctor.  Along with a whole honkin' heap of programming, such as The Science of Doctor Who.

This hasn't even been the anniversary proper.  That kicks off tomorrow, which includes the premiere of the documentary drama An Adventure in Space and Time starring David Bradley as William Hartnell: the Doctor who first brought us aboard the TARDIS.

And then on Saturday, at 2:50 p.m. EST, broadcast worldwide simultaneously, the Fiftieth Anniversary mega-episode: "The Day of the Doctor".  With Matt Smith's Eleventh and David Tennant's Doctors sharing the screen for the first time... along with a Doctor whose incarnation we had never known before: "The War Doctor" portrayed by John Hurt.

It is as Peter Capaldi - soon to be the Twelfth Doctor - has said: "The geek have inherited the Earth."

So if you haven't caught it yet, tune in to BBC America.  And leave it there.  Until after Sunday, when the Doctor Who-intense programming ends.  Do it.  Or perish in flame.  It's your choice.  But, not really.

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"Physician, heal thyself": Paul McGann returns as The Doctor!! "The Night of the Doctor" mini-episode is dropping jaws all over today!!

In May of 1996, Paul McGann portrayed the Eighth Doctor in the Doctor Who television movie that aired on Fox.  It was meant to be a pilot for a possible revival of the series.  Unfortunately it didn't pan out, which was almost tragic because in the brief time we saw him, McGann's Doctor really endeared himself to fans.  It was the first and last time we got to see him play the part.

Until this morning.

BBC just unloaded "The Night of the Doctor" upon us: a nearly seven minutes-long mini-episode of Doctor Who meant to be a lead-up to next week's fiftieth anniversary special "The Day of the Doctor".

Here.  Just watch.  Be sure to mop up the drool afterward...



To all involved: bravo!! Now, Steven Moffat, how about you give us some more episodes with Paul McGann as The Doctor! Please?!?!?

(Thanks to good friend of this blog Drew McOmber for the alert!)

UPDATE 10:27 a.m. EST: Look! The BBC has released an official image of Paul McGann as the Eighth Doctor from "The Night of the Doctor"!  Click on it to drastically embiggen it.

Some thoughts: it's a very solid transition look from the costume of the 1996 TV movie, to the feel and tone of the revived series.  The Eighth Doctor has been called one of the more "romantic" and "sympathetic" of The Doctor's incarnations and this outfit - accompanying McGann's presence - evokes that quite well.

C'mon BBC, that's way too much awesomeness than to limit it to just one seven-minute webisode: more Eighth Doctor, please!!  And give us officially licensed attire!  I'd pay several hundred bucks for that coat alone...

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