Why you SHOULDN'T buy THE WALKING DEAD AMC Original Soundtrack Vol. 1

EeeeeeeeeEEEEEEEEEYYYEEEEEAAAAAARRRRGGGGGHHHHHHH...!!!!!!!

This is not cool, AMC. Not cool at all.

A little while ago my beating heart be stilled when I read that the first soundtrack album of AMC's megakewl series The Walking Dead is set to be released on March 19th!

I know, right? Happy-dance time. Because there has been a massive demand for a soundtrack CD from this show for ages. It's at least more than a year overdue.

What have we wanted all this time? Nothing less than The Walking Dead's orchestral score. A bona-fide album of all the major pieces that Bear McCreary has composed for this show. EVERY bit of the music that has been most-desired on a quality album, going back to Season 1.

So are we getting that on March 19th?

LIKE HELL WE ARE!!

Lemme put it this way: I don't possibly see how The Walking Dead: AMC Original Soundtrack Volume 1 can honestly be called an "original soundtrack" with a straight face. Much less marketed and sold to us.

Here's the upcoming CD's cover...

Here is the album's official page on AMC's website, which includes the track listing. There is one - count 'em, ONE - track that could be called something from the score: the title theme. And that one isn't even the actual theme at all but a remix!

I'm getting a little tired of this crap. Longtime readers of this blog know what I mean. Remember the nonsense we went through to get Steve Jablonsky's epic Transformers score released on an album? A lot of people bought that Transformers "soundtrack" CD because they believed in good faith that they were getting Jablonsky's music... only to find that they had been deceived. Some of us pitched a fit (and righteously so) to get a legitimate score CD released. Heck, THOUSANDS of people signed that petition! In the end it finally got published (though I will admit: there is evidence that it was going to be released eventually anyway but hey: "the squeaky wheel gets the grease", right?)

To its credit, that first Transformers album did not say "Soundtrack" on its cover. It said "Music from and inspired by..."

AMC has the gall to call THIS The Walking Dead album a "soundtrack"... and it's... well, it's just gosh-#$&@ dishonest marketing. I see one track in that listing that I would want. That's "The Parting Glass". And I already have that via iTunes.

AMC, listen up: I would be extremely happy to pay good money for a true album of Bear McCreary's The Walking Dead score. So would many, many other fans of the show as well. Remember the music that played at the very end of "Beside the Dying Fire", as the camera panned up and we got our first-ever glimpse of the prison? Or that tense piece in the final scene of "Better Angels" as Rick and Carl are standing in the field, unaware of that gigantic herd of walkers that were approaching the farm?

Those and a bunch more McCreary pieces from Seasons 1 and 2, we are eager to get our grubby paws on. We want this more than you might imagine. We do not want this new "Original Soundtrack Vol. 1" when to call it a soundtrack is disingenuous at best.

So be warned my fellow Walk-aholics: if you are looking for Bear McCreary's The Walking Dead soundtrack score, it won't be on The Walking Dead: AMC Original Soundtrack Vol. 1. I don't know what precisely to call this album: maybe an "inspired by..." compilation. But it is not an honest-to-goodness soundtrack in the least shape or form.

AMC, fix this. You know what needs to be done.

Don't make us go all-petitiony and media-mayheming on y'all...

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Profile of Steve Jablonsky, composer extraordinaire

Longtime readers of this blog are all too aware that I'm a huge fan of Steve Jablonsky, the immensely talented composer responsible for motion picture scores such as Michael Bay's Transformers series, the television series Desperate Housewives and the last two Gears of War games. Heck, Jablonsky's work is easily among the most-played on my iPod! Especially the soundtrack for Gears of War 2: it's perfect for whenever I'm at the dentist.

Anyhoo, it's a few months old but new to me: Variety has an in-depth article about Steve Jablonsky and his career, including how he got started in film and television composing. I'll heartily recommend it not just for fellow Jablonsky fans but also for anyone budding composers who want to take a stab at working in the industry.

Big tip o' the hat to good friend Mike Casteel for the great find!

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MUSIC FROM THE TRANSFORMERS TRILOGY (Look! Real physical CD!)

First things first: I have yet to hear any news about a CD release of the score from Transformers: Dark of the Moon, which was once again masterfully composed and orchestrated by Steve Jablonsky. A bunch of readers have been asking me about this for the past several months (and quite often more than once!). No word either on the rumored box set that would have Jablonsky's complete score from all three Transformers movies, which I would gladly plunk down serious coin for and based on the enthusiasm I've been observing, so would many others out there.

Until we have something more substantial to go on (and I tend to believe that it will be coming sooner than later) here's something ya might wanna check out: Music from the Transformers Trilogy!

Performed by London Music Works, this CD includes 16 tracks from the three movies: six tracks each for Transformers and Transformers: Revenge of the Fallen, and four tracks from Transformers: Dark of the Moon. Some great stuff here (though I'm a bit disappointed that "Decepticons" from the first movie didn't make the cut). I don't own this yet but based on the samples on the Amazon.com page this is an amazing composition and definitely well worth investing in! I was especially impressed with the recording of "Arrival to Earth" (a track so beautiful that it has been used at weddings!). It's currently going for $14.08 at Amazon and I'm certainly ordering a copy right now :-)

And if you're feelin' lucky punk, ScoreKeeper at Ain't It Cool News is giving away five copies of this sweet album! Deadline for the contest is this coming Sunday, so click on the link and give it a try :-)

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First track from THE GREATEST MIRACLE score

Good friend of this blog Mike Casteel sent this to me. It's from a movie called The Greatest Miracle, that I had not heard of until a short while ago and I had to do more than the usual amount of Google-ing to find its official website. From its synopsis...

The Great Miracle is an inspiring story which illustrates hope and faith. The story revolves around the lives of three characters which are in crisis:

Monica, a widow and the mother of a nine year old child, doing everything she can to keep her house.

Don Chema, a public transport driver who receives the news of a disease which can eventually lead to the death of his son.

Doña Cata, an adult woman who feels her mission in life has already concluded.

The stories intertwine as they feel a great feeling of being in the Church.

And what they cannot imagine is that something is about to change their lives forever.

It's a 3-D animated movie: the first one that I know about to be produced from a spiritual perspective. And I'm curious enough about it that I'd like to check it out sometime.

Until that happens, here's the first track from its score, composed by Mark McKenzie. And it's a rather beautiful piece! Here it is for your listening enjoyment :-)

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THE WALKING DEAD tonight made Chris go freaking bonkers!!!

For the record, that was the MOST intense scene that I have personally witnessed from any television drama. If you saw it then you know what I'm talking about even if I don't say it: the walker down the well at Hershel's farm and how the gang uses Glenn as, ummm... bait.

No kidding: I was screaming HARD and grabbing the sides of my head during that part. Kristen was hollerin' loud too! That was definitely one of the best filmed and edited sequences that I've seen in a very long time.

The Walking Dead has been consistently raising the bar with each passing week and tonight's episode, "Cherokee Rose", upped the ante across the board. Especially watching Shane wrestle with the internalized anguish of the choice he made at the high school in the previous episode. That and the interaction between Rick and Hershel: a character who I am enjoying more and more every time he gets screen time. Sorta reminds me of the "man of science versus man of faith" dynamic that Jack and Locke had on Lost.

And speaking of The Walking Dead, longtime friend and fellow blogger/geek Geoff Gentry directed my attention to the website of Bear McCreary, the composer of The Walking Dead's music. Prior to that he scored Ronald D. Moore's Battlestar Galactica series. McCreary maintains a blog on his site in which he discusses his musical work and the process of composing for television, and it's quite a fascinating read! The latest thing he's shared via his site is this very cool video of himself doing an "accordion orchestra" of one of the pieces from Battlestar Galactica. Check it out!

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THE DARK KNIGHT RISES orchestral score needs YOUR voice!

In what has to be one of the coolest efforts at crowdsourcing ever, composer Hans Zimmer has put the word out that he needs our vocal talents for next summer's The Dark Knight Rises: Christopher Nolan's third and final Batman film.

Want to contribute? All you gotta do is record yourself repeating the same crazy chant that's been heard in the teaser that came out a few months ago. As Zimmer puts it...

"I'm shining the bat-signal up into the sky to call you all! We need to hear your voices! Now and Loud! We are creating the sound of a worldwide chant. Everyone come and be part of it. It's easy: There is no such thing as out-of-tune, no timing we can't fix later. If you mumble, growl, scream or whisper, it's all good. Make it yours. If you only get halfway through, no problem! Do it alone, bring your friends, but do it with energy and commitment. Let your voice be heard and be a part of our adventure!"

The chant itself is apparently "Deh-shay, deh-shay bah-sah-rah, bah-sah-rah", which means in Moroccan "He rises, he rises!" Go to the project's main site, read and agree to the rules, then start chanting away! Who knows: that could be your voice booming across those IMAX speakers come July!

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Review of Steve Jablonsky's GEARS OF WAR 3: THE SOUNDTRACK CD!

Ooh-boy, how am I going to handle this?! I mean, Gears of War 3 doesn't come out until September 20th, this coming Tuesday. And there ain't no way that I'm gonna get an advance copy of the game itself. Hey, I've got connections, sho 'nuff... but they don't penetrate into the inner sanctum of Epic Games (even if it is just a few miles away in Cary).

But a package arrived in the mail this week: a copy of the CD of Gears of War 3: The Soundtrack, composed by Steve Jablonsky.

Hmmmm. The score CD for the next Gears of War game. Composed by the dude who did the score for Gears of War 2, the Transformers movies and a bunch of other great stuff! Y'all think I'm not gonna review this bad boy?!

The thing is, I can listen to this abundawonderful score all I want... as I already have! But until I play the game itself, there's nothing to put this music in context with. I've done reviews of Jablonsky's Transformers scores and posted a review of Gears of War 2: The Soundtrack three years ago.

But writing a review of a Steve Jablonsky album without first experiencing the work that it's been composed for? That's a new one...

Okay so here's what I wound up doing. I set this CD a'playing and as each track ran, I composed my thoughts for it. So what you're about to see is something of a "running commentary" for the score.

I'll preface that stream of consciousness by saying this: that Gears of War 3: The Soundtrack is already one of my favorite scores for any medium! This album easily represents Steve Jablonsky's finest work to date. His Gears of War 2 score was already one of the most-played on my iPod (it's terrific listening for when you're in the chair at the dentist's office) and for Gears of War 3, the man has ratcheted up his game to intense new heights of instrumental emotion. Jablonsky's work on the previous game garnered great acclaim and some awards... but what he has turned in for Gears of War 3 will arguably set a whole new standard for the art of video game music. This is legendary accompaniment for a legendary saga.

Awright well, on with the tracks!

1. “Restless” – Some subdued strings building up to... something. Trailing off with a nice bit of piano.

2. “Gears Keep Turning” – This must be the “main” theme music of the game. The now-familiar Gears of War titles that Jablonsky so beautifully elaborated upon in Gears of War 2, given a drastically industrial tone. LOVE THIS TRACK!!

3. “Meanwhile Below Deck” – Lot of rising tension. About what, I haven’t a clue. Brief but wicked.

4. “Stalk City” – Having read all of Karen Traviss’ Gears of War novels (including Coalition’s End released last month) I’ve a pretty darned good idea what’s going on here. The Lambent are coming, people... and now we have proper music for it!

5. “High Seas Tension” – A bit sneaky and espionage-ish. Why am I thinking of Chairman Prescott when I listen to this?

6. “Infected Large and Hungry” – Hard, harsh, fast and riveting! Whatever this is music for, it sounds honkin’ big and pure angry. No doubt something that needs to be killed in the worst way...

7. “Marcus’ Rock” – More industrial with lots of heavy drums. Well, it’s a track named for a heavy guy, ain’t it?

8. “Calm before Chaos” – A quieter piece with underlying menace.

9. “Bridge Too Far Indeed” – Probably a track for an extended action sequence in the game with heaps of frantic. At 3:42 this is the longest track of the CD so far.

10. “Those Aren’t Stranded” – A piece with an urban edge to it. Can’t help but wonder if this might be used with Ice T’s character somehow...

11. “Forever Omen” – One word has come to best describe the Gears of War saga in my mind as this story has progressed over the past five years: “desperation”. This track, more than anything else on the CD thus far, evokes that sense of dread and increasing hopelessness. A beautiful and provocative piece.

12. “Hanover’s Favorite Son” – Didn’t Augustus Cole play thrashball for Hanover? Seem to recall that from the books. So I’m thinking this track has to do with Cole. Starts off surprisingly quiet then uplifts to a very patriotic-sounding crescendo. Another beautiful piece!

13. “Fence House Suicide Pills” – Something terrible is happening alongside this track, and I could write that even if it had been named “Happy Little Squirrels Dancing”.

14. “Ghost Town” – This brings to mind the journey to Mount Kadar and into Nexus from Gears of War 2. Maybe the fight through the ruins of Landown as well.

15. “A Fine Mess” – Most likely something for another crucial battle scene.

16. “Loss of a Leader” – Some mournful segments throughout this piece. But as for which leader (and who or what he/she/it is a leader of) I can’t clearly tell, though there is a COG-ish suggestion to it.

17. “Deadland Dance” – At 5 minutes and 17 seconds this is the longest track of the Gears of War 3 score. Somewhat bifurcated around the 2:20 mark, make of that what you will. The second part is fraught with increasing tension. Love how Jablonsky has worked the Gears of War main theme into this (as he is doing with much of the score already).

18. “Creeping Dread” – This has me thinking of the very first time that I played the original Gears of War, that first level where Dom breaks Marcus out of the Slab.

19. “Hammer Meets Anvil” – The title of this track alone has me giddy! The Hammer of Dawn being used at Anvil Gate perhaps? Hey, I’m stoked simply about the fact that Anvil Gate is reportedly a location in the game! A hard, brooding and threatening piece ending with what could be a countdown chanted by the Locust Horde’s Kantu priests.

20. “Corpser Ambush” – Another action-ish track. I’m guessing it has the player shooting at a Corpser. Maybe even more than one...

21. “Last Resort” – I have no idea what this is supposed to be music for. It’s beautiful, but... it could be set to anything.

22. “Full Circle” – Opens as if it’s written for a dramatic cutscene then quickly jumps to fast-paced action, before resolving into an even deeper and darkly brooding piece and ending with soft piano interlude. Something massively important is taking place here... I can feel it.

23. “Jumped Species Barrier” – That doesn’t sound good. If you’ve read the last two Gears of War novels, then you know that doesn’t sound good at all. This track echoes that.

24. “Ashes Fall Down” – The second-longest track of the CD (4:02). A wrathful piece of sound and fury.

25. “Fathoms Below” – If this is supposed to be “fathoms below” the surface of the ocean, there’s an awful lot of combat taking place down there. Or it could be fathoms below down in the Locust tunnels.

26. “Gasbag Airways” – Does this mean we’re gonna ride a torture barge again? Track continues the fast action pace of the previous few.

27. “Paradise Found” – There is a slightly alien sound to this track. Or at least exotic. And then it ramps up fast and crazy toward... what?!?

28. “Father and Son” – Another track whose title alone makes me eager with anticipation. Listening to it, I honestly can’t help but envision Marcus Fenix and his father Adam Fenix having their reunion. Gears of War has become a multi-generational epic on the same level as Star Wars and Harry Potter (not to mention The Godfather saga). This piece resonates that quality.

29. “Fury of the Tempest” – Stormy and apocalyptic. Full of rage.

30. “Live for Me” – A track of tragedy. Reminds me too much of “With Sympathy” from the Gears of War 2 score and if you played that game, you know what scene it was set to. Are we gonna cry just as when we get to this part of Gears of War 3? But no time to be tearful ‘cuz then it finishes on an action-suggestive tone.

31. “Finally a Tomorrow” - WOW!! The chorals alone set this track apart from darn nearly anything else we’ve heard from a Gears of War game. Could it be? Dare we hope that… there really will be a happy ending to this story after all?! Jablonsky is evoking an optimism that we just haven’t heard at ALL in this series. This is the flip side of the coin from the sinking of Jacinto at the end of Gears of War 2. And it sounds stunning!

Gears of War 3: The Soundtrack by Steve Jablonsky is published by Sumthing Else Music Works, and will be available on September 20th from Amazon.com and other fine retailers. But if you just can't wait, you'll be pleased to know that it's already available via Apple's iTunes Store! So you can buy it now and buy it next week too (hey, I wound up getting it from iTunes as well as the nice shiny physical media currently and legally in my grubby lil' paws).

However it is that you buy it, Gears of War 3: The Soundtrack gets this blogger's highest recommendation! Go get it. Or perish in flame. It's your choice. But, not really.

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Steve Jablonsky writes this blog about TRANSFORMERS: DARK OF THE MOON score CD!!!

When it comes to Transformers: Dark Of The Moon's orchestral score, you can't get much more authoritative a source than the man who composed it! A short while ago Steve Jablonsky sent me an e-mail about the current state of the score album's CD. In it he not only explains what's going on with it, he also provides a fascinating insight into the makings of a major summer blockbuster!

So without further ado, here is Mr. Jablonsky...

Hi Chris

Nice to hear from you. As you probably know the score is now up on iTunes. The physical CD situation has been more complicated. I finished the album weeks ago, but we didn't actually finalize it until a few days ago. Michael Bay is really happy with the score and he wanted to check out the album before it went out. As you might imagine, he's a busy dude. He's been flying all over the world promoting TF3, making it difficult to get approval. But I was happy that he wanted to be a part of the soundtrack and I did not want to release anything before he had his say. The record company tells me they need 4-6 weeks to get the album produced and into stores, which would put us into August at this point. A lot of discussion went into this, but the decision was made to wait on the physical CD, and release some kind of special edition alongside the blu-ray release (maybe autographed copies or other goodies, we don't know yet).

I know people are probably disappointed. Believe me I wish I could get physical CD's out there tomorrow. But it's just the way things went this time around. I can see why Paramount would rather not release a score CD almost 2 months after the movie release. To them it makes more sense to do something special around the blu-ray/DVD. I understand that.

So anyone interested in a CD should rest assured that it WILL happen. It just won't happen until later in the year unfortunately.

These big movies are so complex sometimes!! I hope you've been well!

Steve

In the past 24 hours a wazoo-load of folks have written in, wondering if there was going to be a CD at all, based on a number of indicators. But there it is from the man himself: Transformers: Dark Of The Moon: The Score WILL be coming out on nice and shiny physical media... and in comparatively the same amount of time that we had to wait for Transformers: The Score. Which in retrospect wasn't too awfully long a wait. It's just that too many of us wanted Steve Jablonsky's beautiful work to get the respect that it deserved... as it indeed it is getting this time, without a doubt :-)

In the meantime however, Transformers: Dark Of The Moon: The Score is already available on iTunes! I purchased it last night and have been listening to it like crazy all day!! This whole album is amazing and there are some positively powerful tracks on here. "Sentinel Prime" is particularly haunting (but that's all I'm gonna say, for sake of those who haven't seen the movie yet but who no doubt wil be doing so soon ;-)

So there y'all have it: the score CD is gonna be rolling out soon! Thank you Steve, for passing along the word :-)

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TRANSFORMERS: DARK OF THE MOON: THE SCORE is on iTunes!!!

Well, that didn't take very long, did it? :-P

Seibertron.com is reporting tonight that Transformers: Dark Of The Moon: The Score is now available on iTunes!

All of you know what I will be doing for the next few hours :-) And now you know where to find it too. So go buy Steve Jablonsky's epic score now!!! Or, perish in flame.

It's your choice. But, not really.

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Cover for the TRANSFORMERS: DARK OF THE MOON: THE SCORE album

This popped up tonight on Amazon.com's page for the product listing...

It's still listed as "Currently unavailable". But we've got the album cover art.

That has to be mean something good, right?

(Incidentally, at this moment I've got iTunes playing "Decepticons" from Transformers: The Score. With this one track composer Steve Jablonsky did something that had never adequately been done before in the whole history of the Transformers franchise: conveyed the utterly alien nature of the Transformers. I love this music!!)

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Look! Info about Steve Jablonsky's score for TRANSFORMERS: DARK OF THE MOON!

Hey gang, we are just a few days away from Transformers: Dark of the Moon and, starting to get stoked about this movie in the biggest way! Maybe it's something to do with having bought the Blu-rays of both the previous films last week and watching Transformers: Revenge of the Fallen for only the second time ever. And oddly enough, two years later I'm much more entertained by that movie. It still has its problems (namely "Car Car Binks" aka the Autobot twins, and I genuinely feel sorry for whoever it was at Industrial Light and Magic who was handed the task of digitally animating Devastator's ummm... "wrecking ball testicles") but y'know, I wound up digging it way more than before as a Transformers live-action flick. In fact, as I write this my desktop PC is busy ripping the Blu-ray so I can put both these movies on my iPad!

Awright, so we've got the third movie coming out next week. And a lot of you have been writing me about the score that Steve Jablonsky has composed for his third outing with the Transformers saga. Maybe the inquiries are coming here because of, ummmmmmm... how totally crazy I went for Transformers: The Score four years ago. Longtime readers remember how this lil' blog sorta wound up being where many people coalesced their desire to see that score released. We eventually got it and four years later, I've heard from bunches of people how it gets consistently played on their iPods or whatever (including my own :-). And thankfully we didn't have to go through that in order to get Jablonsky's score for Transformers: Revenge of the Fallen (a score which was no less epic than the one for the first film).

But what about the score for Transformers: Dark of the Moon?

Apparently the CD (and presumably iTunes availability) was supposed to have been June 7th. Those industrious Trans-fans at Seibertron.com are now reporting that it has been pushed back to June 28th: this coming Tuesday, just before the movie smashes its way into theaters. However it's not showing up on Amazon.com yet. And as of this writing the official Transformers: Dark of the Moon music site is merely stating that the score album is "Coming Soon".

Hmmmm...

I'm inclined to believe that it's gonna be coming out and sooner than later (likely much sooner) 'cuz Film Music Reporter has snagged the complete track listing! It's there if you wanna read all the track titles, but be warned: there might be (read as: "definitely are") some spoiler-ish details about the movie that can be gleaned from them.

Oh yeah, that's not the official album cover art either. Just a placeholder that I'm seeing on a few sites. No doubt the real score album cover is gonna look much better :-)

Anyhoo, there y'all have it. Don't fret: Steve Jablonsky's Transformers: Dark of the Moon score is heading our way. We aren't going to have to fight for it this time either! And there's a good chance that a week from now we'll all get to have it in our grubby lil' paws.

Good times! :-)

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Guess what I'm listening to right now?

It's the Lost Season 5 Soundtrack CD! It won't hit retail until this coming Tuesday, but a copy arrived here a few hours ago from somewhere among my nebuluous network of insiders and associates (or perhaps it was the strange time-shifting qualities of the Island that made it possible)...

I'm now on my second time of playing through it and once again Michael Giacchino has turned in a mesmerizing score (but those of us who watch Lost know that already :-) There are 23 tracks on this thing. The ones I've most been looking forward to having are "The Swinging Bendulum": the theme that was first introduced when we saw the Lamp Post in the episode "The Lie". That, and "The Tangled Web", better known as Jacob's theme. Unfortunately "The Tangled Web" does not trail off into the score that we heard when we got our first real view of the Statue of Tawaret in the prologue of "The Incident", which I thought was really majestic and mysterious. But hey: we do get the main vibe of Jacob's theme, so that's still fine. And there is plenty of reprising of "Dharmacide" (from the Season 3 soundtrack, which most people know as Ben's theme), which has also been one of my most favorite bits of music from the show.

Per my usual practice, I'm going to purchase a copy at retail this coming week (something that I did with Transformers: The Score twice when it came out a few years ago :-) to make up for having this one sent. And if you love Lost and the work of Michael Giacchino, I'm gonna heartily recommend that you buy it too. 'Tis well worth plunking down hard-earned coin for.

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LOST Season 5 soundtrack CD gets a release date!

A little more than a month from now on May 11th, you and me and all the other Lost fanatics will finally get to buy the soundtrack from Season 5. Click here to pre-order it from Amazon. It'll street for $17.98 but you're likely to find it for less depending on where you look.

Lost is the only television series that I've ever gone to the trouble of buying the soundtrack CDs, and I'm looking forward to putting more of Michael Giacchino's beautiful work on my iPod. And Season 5 had some of the best music of the show's run. What I'm eager for most: getting that theme that we first heard during the Lamppost scene in "The Lie", and what most fans are calling "Jacob's Theme" that was introduced in "The Incident, Part 1".

(Incidentally Mr. Giacchino, if you ever read this: I would love to have a bunch of the score from "Happily Ever After" on the Season 6 soundtrack when it comes out next year. Especially everything from Desmond and Daniel's dialogue on through the end when Desmond asks for the manifest :-)

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Here we go again! Online petition for a full release of TRANSFORMERS: REVENGE OF THE FALLEN score by Steve Jablonsky

Two years ago, an online petition drive spun out of this very blog and may or may not have convinced The Powers That Be to release a CD of Steve Jablonsky's amazing score for the motion picture Transformers.

In 2009, Warner Bros./Reprise did release a CD of Jablonsky's score for Transformers: Revenge of the Fallen. And everything was cool this time, right?

Well...

A LOT of folks have written in here over the past few weeks about how much of Jablonsky's score for the new movie is missing from the current CD release. And we know for certain that there were plans to publish the full score (or a much bigger chunk of it than we have now anyway) but now, those plans have been officially dashed. It's currently not set to happen.

But now, a warrior has arisen "to light our darkest hour"!

Mike Casteel, a fellow fan of Transformers and Steve Jablonsky, has started a NEW online petition dedicated to getting a full score CD of Transformers: Revenge of the Fallen. It just went live tonight... but we all know how fast the last one drew support, aye? Let's hope and pray that Mike's will get even more! And I'm heartily asking EVERYONE who signed the one from two years ago to please sign this new one.

Have faith, friends. I believe that there will be a release of this CD, if there is substantial enough support and we nicely convey that. And from what I've seen on this end, the support is definitely there! So be a good fan of Transformers and Steve Jablonsky and everyone else at Remote Control who worked on this score, and sign the petition today!

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TRANSFORMERS: REVENGE OF THE FALLEN score by Steve Jablonsky ON SALE JUNE 23rd!!!

Praise be the Allspark, we do NOT have to go through this crazy mess a second time...

Good friend of this blog Kartik Kaul has passed along the word that Steve Jablonsky's score soundtrack CD for Transformers: Revenge of the Fallen will go on sale June 23rd! Also on the same day will be a "Music From..." CD for the movie. Which is all well and good but uhhh... as most people know it's the orchestral score that we are mostly interested in on this blog :-P

Here's the link to the score CD's page on Amazon.com where you can pre-order it. Which I've already done for mine :-)

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Jablonsky, Zimmer and Linkin Park working on TRANSFORMERS: REVENGE OF THE FALLEN score!

It was already fairly well known that Steve Jablonsky would be returning to score Transformers: Revenge of the Fallen, just as he did the original in 2007. But in the past few days the word has come that Linkin Park and Hans Zimmer are also contributing to the film's score. Linkin Park had some stuff on the Transformers soundtrack album (the one with all the songs, not the score that Yours Truly went more than a little nuts for :-P).

And if Hans Zimmer rings a bell, it's prolly 'cuz he has worked on the scores for Batman Begins, The Dark Knight, the Pirates of the Caribbean sequels, and a ton of other good movies.

Just from a musical perspective, Transformers: Revenge of the Fallen is sounding pretty epic. Can't wait to see - and hear - it come June.

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LOST Season 4 soundtrack set for May 12th release

All of y'all who've been wondering when the soundtrack for Lost Season 4 would be coming out: be of good cheer! According to the Varèse Sarabande website, Lost: Season 4 Original Television Soundtrack is due for release on May 12th, just before the Season 5 finale.

Here's the pertinent info that's on the site...

It's here! Michael Giacchino's brilliant soundtrack, which follows every mysterious twist and turn of Lost's addictive Fourth Season. Exploding with excitement, Lost reached new heights in the fourteen episodes of its fourth season. More than three months after their fateful crash, the survivors of Oceanic Flight 815 discover that the only thing more dangerous than the island might be the people who have come to rescue them. The mind-blowing story was told with original flashbacks and mind-bending flash-forwards. There was no shortage of drama in Losts thrilling Season 4 ... just what you would expect from one of the most groundbreaking shows in television history.

Michael Giacchino's music has played a huge role in the series from the very beginning and fans have been dying for our latest collection of Lost musical highlights — over 75 minutes of Season 4's emotional and thrilling score.

LOST: Season 4 is now available on DVD and BluRay from ABC Home Video.

Varèse Sarabande Catalog #: 302 066 964 2

Release Date: 05/12/09

More than anything else on this CD, I want it to include the music from when Ben is turning the frozen wheel in the season finale. I thought that was the single best track of the season and one of the all-time most wonderful from the entire run of the show.

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Report and photos from the orchestral scoring for WATCHMEN

Good friend Marco van Bergen directs our attention to this story at ScoringSessions.com, showing us composer Tyler Bates and an 87-member orchestra recording the music for Watchmen. Gobs of photos at the link, some of which depict scenes from the movie. According to the report, the Watchmen soundtrack will be released by Reprise Records on March 3rd 2009, three days before the movie comes out in theaters.

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Here are the GEARS OF WAR 2: THE SOUNDTRACK Steve Jablonsky-signed CDs contest winners!

A little over two weeks ago we started a contest on this blog. The spoils? Three copies of the Gears of War 2: The Soundtrack CD... personally signed to the winners by composer Steve Jablonsky (the creative force behind the musical scores for Transformers, Desperate Housewives and a wazoo-load of other movies and television shows and other stuff). But in order to be eligible to win one of 'em, entrants were asked to send in a picture of themselves doing their best impersonation of any character from established Gears of War canon. Not a "costume contest" so much as that this was about conveying character and heart.

So we were giving away three Steve Jablonsky-signed copies of Gears of War 2: The Soundtrack... and this was an easy contest to judge 'cuz three is exactly the amount of entries that came in! So the following three individuals will soon be getting their grubby lil' paws on one of the CDs. Thanks to everyone who entered and thanks to Steve Jablonsky! :-)

The first winner is Mike Casteel from Burlington, Kentucky. Mike sent in this photo of himself posing as Chairman Prescott, the leader of the Coalition of Ordered Governments. Looking at this great pic, you can practically hear "Armored Prayer" playing in the background...

The next winner is Adam Solomon from Bay Shore, New York. He sent in this pic of himself as Marcus Fenix. Or as I like to call it: "Marcus getting out of the shower in the morning after a night of killing Grubs"...

And finally, there is Jay Ballance from Cranbrook, British Columbia. And Jay did not play it safe. He made what some might consider to be a very risky move by portraying a Gears of War character that we don't have a single image of at all! What did Jay do? In his own words...

"Carlos (Dom's older brother, from the book. From the chapter where him and Marcus are guarding the emulsion pipeline, in freezing temperatures.....lol)"

Yup, Jay went with Carlos Santiago from the novel Gears of War: Aspho Fields, complete with cold-weather garments (and check out that awesome cardboard Lancer!)...

Congrats to Mike, Adam and Jay! And we appreciate the effort and cleverness that you went to in this contest :-)

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5 days left to enter GEARS OF WAR 2: THE SOUNDTRACK signed CD contest

Just a friendly reminder that there are now five days remaining to enter the contest to win one of three copies of Gears of War 2: The Soundtrack, signed by composer Steve Jablonsky (who has also composed the scores for Transformers, The Texas Chainsaw Massacre remake and ABC's Desperate Housewives in addition to a ton of other good stuff).

By the way, these copies will be personally signed by Steve Jablonsky to the winners! So if you're name is "Barney Spepple" and you win one of 'em, your copy will be signed something like "To Barney..." etc.

How do you enter again? Well, here are the rules once more...

1. E-mail your entry to theknightshift@gmail.com with GEARS OF WAR 2 SOUNDTRACK CONTEST in the subject line. GEARS OF WAR 2 SOUNDTRACK CONTEST has to be in the subject line.

2. Include the following information in your entry:

- First and last name

- Mailing address

- Phone number

- The name of the Gears of War character you are impersonating

3. And then, attach a photo of yourself doing your best impersonation of a Gears of War character. It can be anyone from established Gears of War canon (the games, the comic book, the novel Gears of War: Aspho Fields but you'll have to be especially imaginative, anything that's been authorized by Epic Games as being legit part of the Gears of War mythology). Keep in mind that this is not a costume contest! If you're the kind of person who likes to parade around Comic-Con and Dragon-Con wearing a full set of COG Gear armor, you're more than welcome to pose wearing that. But this is all about character. This is a contest focusing on raw persona. In short: do you "get" what Gears of War is all about? Can you make that come across with nothing more than your own countenance? If so, pick a Gears of War character and show us what you got! Doesn't matter if you're male or female: plop on a do-rag and show us your best Marcus Fenix mug. Or give us Dom or Anya or Baird or Cole or Dizzy or Tai (ooh-boy I'm eager to see if anyone attempts Tai) or heck, even a Locust grub or the Locust Queen herself! Extra points will be given toward creativity and originality, but as I said this is about channeling character more than it is about costume ingenuity. Also, please try to keep your image size to 1 megabyte or less.

4. No age limit but this contest will enforce a "one entry per person" limit. So like shootin' a gun in a Gears of War game, make it count!

5. You'll have between now and until 12:01 a.m. Pacific Standard Time on December 18th, 2008 to e-mail in your entry, so that gives you a bit more than two weeks to come up with something.

6. Judging for the contest will be conducted by a three-member panel that has already been pre-selected. Their decisions are final.

7. By entering you are giving consent to have your photo published on The Knight Shift blog (the one you're looking at right now). So make sure your photos are "family-friendly", folks :-)

8. In addition to the three final winners, this blog reserves the right to also publish "honorable mentions" if there are any.

9. Insofar as real life will cooperate, the winners will be announced sometime on December 19th 2008 and the signed CDs will be rushed to each of the winners as soon as possible.

Remember: this is not a costume contest! Don't let your lack of real Coalition of Ordered Governments armor deter you from entering! If you have a face (let's hope you do :-) and you think you can channel and project the spirit of Marcus, Dom, Anya, or any other Gears of War character with it, then get your entry sent in today!

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