Haven't seen Young Washington yet. I did see Disclosure Day though...

On Independence Day some friends asked if I wanted to join them at the theater to see the new Steven Spielberg movie Disclosure Day.  I went with them and we agreed afterward that it's a great movie!  Not Spielberg's best but it's definitely tapping into "old school Spielberg" that a lot of us remember from our youth, with a dash of the "mature Spielberg" who has been with us since Schindler's List.

That is how I gauge our greatest living filmmaker.  There is the Steven Spielberg that I met at the Boy Scout Jamboree in 1989: the "big kid" who was as giddy as a schoolboy, dancing around in his Scout uniform.  That's the man who brought us E.T. and Indiana Jones and Jaws and the dinosaurs of Jurassic Park.  He had a childlike twinkle in his eye and we were fortunate to have him.

Then Spielberg went off to Poland to make Schindler's List.  He wasn't the same after that.  The twinkle went out of his eyes.  The Spielberg who came back was a darker figure, and it reflected in his work.  The Jurassic Park sequel was Spielberg attempting a return to form, but it... lacked something.  I can't put my finger on what it was, but it did.

It was like that for Steven Spielberg for awhile, until 2001.  It took finishing his pal Stanley Kubrick's work with A.I.: Artificial Intelligence to pull him back to the wonder. Even there, I don't think it was a complete return.  The Spielberg of fifteen years earlier might have left David inside the amphibicopter, looking at the blue fairy, until his power ran down and everything was frozen around him.  That would have been a downer of an ending and yet one with hope.  The Spielberg of 2001 couldn't leave David like that, he instead gave him a more concrete ending.  One that was completely absent of humanity, it must be noted.

Over the past quarter century it's been coming back in fits and starts, and with Disclosure Day we have gotten as close to the old-school Steven Spielberg as we've gotten post-Schindler.  This is definitely going back to Spielberg's fantasy/sci-fi roots, the rich soil that bought forth Close Encounters of the Third Kind and E.T.: The Extra-Terrestrial.  Disclosure Day is a pure Spielberg film, with a script written by longtime collaborator David Koepp.  And the cherry on top, a terrific score by John Williams (this is the thirtieth project that Williams has done with Spielberg).  It's got all the classic Spielberg cinematic style, and it's pretty obvious that true to form Spielberg chose to shoot this with real film: it's got that beautiful grain look to it.  Visually I thought it much resembled the look of 2002's Minority Report, and that's not a bad thing at all.

I'll have to say that I recommend Disclosure Day.  It's not a perfect film, but it is a fine enough motion picture made by the greatest filmmaker of our time.  Try not to make sense of it as you go along, is the biggest advice I'll give it.  Suspend your disbelief at the theater door.  Trust me, it will make sense toward the end of the movie.

So that's what we saw on Saturday.  My friends already had tickets for Disclosure Day.  Had we gotten to the theater without any real plans in mind, we might have seen Young Washington, which debuted the day before.  I have heard nothing but amazing about that movie.  More than enough to make me want to catch it while it's in theaters.

Young Washington is produced by Angel Studios.  I've had my eye on Angel for awhile now and it has been a pure pleasure to watch it grow into a solid, solid mid-tier studio and maybe more than that.  Angel is building off of lessons that faith-based filmmaking has long been in the process of learning.  Let's face it: the Christian filmmaking community has made some real stinkers over the past fifty or sixty years.  Only now, in the last fifteen or so, has it come to realize that the message is little or nothing if it's without a story that sincerely entertains the audience.  Sherwood Pictures earnestly began the trend with their movies like Facing the Giants and Courageous, and now others have come along too.

Keep an eye on Angel Studios.  They really have become and continue to be as formidable an outfit as there is apt to be for a venture of its size and scope.  And it's only going to get better.

But I think that Angel Studios missed a real marketing opportunity with Young Washington.  One of the current gimmicks for seeing movies in a proper theater is that they offer the opportunity to have special popcorn buckets.  I've seen them in all shapes and sizes.  Some amazing to behold and some downright ridiculous (the one for Dune, a plastic sculpture of the sandworm, was... shall we say, "suggestive"?).  But they have become very popular and nice collector's items.

Angel Studios should have had a popcorn bucket for Young Washington.  It could have been a tricornered hat.  Holds your popcorn during the movie, and fashionable to wear afterward!

Yeah, it's a ChatGPT rendition.  I'm still sticking with my vow to not produce any AI-"written" work on this blog.  And if there is any AI "art" I'm going to disclose that.  But I needed a hat/popcorn holder pic and that was the fastest/dirtiest way to have one :-P 

Read More

Did Elliott and E.T. ever see each other again? Steven Spielberg has the answer...

 

To be honest, it's not a notion that I've given any real thought to, now almost four and a half decades since first seeing E.T.: The Extra-Terrestrial.  It's the suggestion that maybe, just maybe, E.T. and Elliott had a happy reunion many years later, when Elliott was all grown up.  Might the heart-burning alien who found his way everywhere in 1982 (or at least all over your own house especially when you had small children... and let's not forget the Atari game!) have made a return to Earth?

It's a question that Steven Spielberg himself has now addressed.  Appearing on the Happy Sad Confused podcast to discuss his new movie Disclosure Day (a friend said it's worth seeing especially for John Wiliams's score), Spielberg shares about whether Elliott and his pal had a reunion...

"No, never saw him again," he said.  "But he did dream about him.  So there was a psychic link between the two of them.  If you notice that E.T. touched Elliott right here [points to his forehead] and said, 'I'll be right here.'"

I can live with that, as heartbreaking as it might be for some people to be told that.  Sometimes there are people who come into your life for however brief a season.  They make an impact on you, and you like to think that you make one just as strong on them.  You may never see them again but they're with you, bright in heart and memory.  In E.T.'s case that is quite literal.  And maybe someday, in ways you've never imagined or thought possible, there gets to be a happy reunion after all.  It's certainly happened in my own life a number of times.

But if not, I like to think that Elliott grew up happy, and now has a family (maybe he's even a grandfather) and that the days he spent with E.T. are forever a special part of his childhood.  No doubt something that he's shared with his own children.

That's as good an ending to the story as any.

Read More

Steven Spielberg is right: Movies need two months in the theater!

I've been arguing for over five years now, since we started going back to the cinema in the wake of COVID, that movies must spend some time in the theaters before going onto streaming video or some other digital delivery service.  A film represents more than just casual entertainment.  It is the result of the efforts of a lot of people who collaborated together to produce something that, ideally, has not been seen before.  Those people deserve appreciation, and acknowledgement.  Their labors merit watching in as big a venue as is feasible.

When movies come out in the theaters, they can take on a life of their own.  A good movie without much fanfare can become a "sleeper hit" that finds success by word of mouth (two examples of good sleepers are The Artist and My Big Fat Greek Wedding).  Movies get talked about, and vigorously discussed.  It's something that they make an entire art of in places like Europe, where movie goers will often repair to a sidewalk cafe and converse about the movie with friends and family.  That's how we did it when I went to Brussels a long time ago, anyway.

Movies in the old-fashioned way are communal experiences.  Watch a film in your living room, and what can be said about how much you were moved by it.  But seeing a movie in a theater, with other people sharing the same room, and something almost magical happens.  When Avengers: Infinity War came out, on opening night I saw it in a packed theater.  The stunned look on everyone's faces after that movie ended is something I'll never forget.  It was a look that said it all: "Oh crap, NOW what?!  How can there possibly be a good closure to this?!"  You can maybe simulate that at home, but it's just not the same.

A typical movie, not a solid stinker of the sort that Ed Wood used to make, deserves at least two weeks, maybe three, in the theater.  That's enough time to weigh whether it really resonates with audiences.  But then there are some movies that come to demand much more time getting projected onto the big screen.  Those deserve at least a month listed on the marquee... if not more.

I'm not the only one either believing this and in fact I'm in good company.  Steven Spielberg has been at CinemaCon this past week and he had something to say about the time movies spend in the theaters.  Mainly, that there needs to be a sixty-day window for new movies to be available only in theaters.  Bringing up his forthcoming film Disclosure Day, Spielberg said that "This is a movie that needs to be experienced, and what you need to get from the beginning to the end is a seatbelt."

I love having good movies on my iPad.  The night that Star Wars Episode IX: The Rise of Skywalker came out on iTunes, I gleefully loaded it on my tablet so that at last I had the complete Skywalker saga on one device.  Not long ago I finally watched Dune: Part Two and that's on my iPad also.  It's a great convenience to be able to do that.  But it's something that I can wait a little for, if that means more people get to see the movie as its director and producers and cast want and need us to see it as.

I know that I'm not the only one who believes this, who feels this way.  Surely there are other cinemaphiles out there who love the movie-going experience and want others to know what that's like, too.  Maybe they will chime in like Spielberg has, and persuade the studio execs to hold out on the instant gratification of home-audience profits in favor of something deeper and more meaningful, if only for a few months.

Read More

My favorite movie hits forty years old

I had no idea that Raiders of the Lost Ark had returned to theaters for its fortieth anniversary until my iPhone suggested it from a list of movies playing nearby.  Whatever other plans I'd made last Sunday got dropped like a hot Sankara Stone as I headed to the big cinema the next town over.  And that's how, for only the second time in my life, I got to behold my all time favorite film on the big screen.

 

I was far from alone.  About forty-some others had shown up too.  Including the family of four that sat in front of me.  Two little girls, maybe seven and eight.  Just how old I was when I first saw Raiders.  I could tell this movie was giving them thrills and chills, just as it did me.

 

Maybe it made some of the same impact on them that watching Raiders had on me.  In the days and weeks following my first time seeing the movie, I was obsessed with finding out everything I could about the real life history behind the story.  Every encyclopedia volume must have been pulled off of our bookshelf as I read up about ancient Egypt, the Nazis, the Ark of the Covenant...  All of that and more was fodder for my young mind.

So it's safe to say that Raiders of the Lost Ark is not just my favorite movie of all time.  It's also the film that most affected my life.  Yes, the Star Wars saga was a wide-eyeing wonder of story and spectacle that imprinted onto my imagination.  But Raiders ignited the love of history that has followed and guided my life all along.  It taught me that academia and learning could be a very cool thing (though my own scholarship never involved wielding a bullwhip... though I rock in a fedora).

It was also the start of something special between Dad and I.  He loved this movie too.  And we never failed to catch an Indiana Jones movie together in the theater whenever one came out.  He was a real authority on the kinds of vehicles that moved about Indy's world, particularly the aircraft.  I think that from the very first moments of 1936 South America, Dad recognized this movie as being a homage to the Saturday serials of his childhood.  Raiders of the Lost Ark was like a meeting place between his generation and mine.  And for just that alone I will forever treasure this movie.

 

But what it is to all of us together is a kick-butt movie that, like any treasure in the desert, has become priceless with time.  It is also something that has never been replicated so perfectly.  Certainly its sequels tried, and sometimes approximated the success.  But Raiders of the Lost Ark was too much like lightning in a bottle.  It was the intersection of the era's most successful actor, its most successful director, its most successful creator of worlds, all come together with the edgiest of cutting edge special effects and a rollickin' score by John Williams.  Something like that just can't be done all over again like that first time.

Forty years later, and it still holds up.  As perhaps the most perfect motion picture spectacle ever committed to celluloid.  There was nothing like it before and there does not look to  be anything like it since then.

 

So let us raise a glass to Raiders of the Lost Ark.  Happy fortieth anniversary to Indiana Jones.  Remember: it's not the years, it's the mileage.

 

 

Read More

Thirtieth anniversary of Steven Spielberg's loudest movie

It was on December 14th, 1979 - thirty years ago today - that the mostest highest-decibel movie ever directed by Steven Spielberg was released.

I am, of course, referring to 1941.

With a crazy eclectic cast featuring John Belushi, Christopher Lee, Slim Pickens, John Candy and Dan Ackroyd among many others and backed up by a rousing score by John Williams, 1941 pokes fun at the very real paranoia that beset the West Coast in the days and weeks following the bombing of Pearl Harbor. At the time 1941 confused and bewildered critics (who weren't sure if it was supposed to have been a drama or a comedy) but three decades later, it is now considered a cult classic. 1941 is a screaming movie. The filming was so loud that Spielberg had to fire a prop machine gun into the air rather than yelling "cut" because otherwise the actors couldn't hear him.

A rather peculiar movie that has only gotten better with age, 1941 is great for an evening's worth of laughs. Check it out if you haven't already... and make sure the volume of your home entertainment system is cranked way up!

Read More

Fifth INDIANA JONES movie... is REALLY happening?!

So sayeth Harrison Ford, adding that he's already getting in shape and that work on a new Indy movie has progressed further than most of us have suspected...

"The story for the new 'Indiana Jones' is in the process of taking form," Ford told France's Le Figaro. "Steven Spielberg, George Lucas and myself are agreed on what the fifth adventure will concern, and George is actively at work. If the script is good, I'll be very happy to put the costume on again."

Others may disagree, but I thought last year's Indiana Jones and the Kingdom of the Crystal Skull was a fine addition to the Indy mythos. That and that it was as good a homage to Fifties B-movies as Raiders of the Lost Ark was a tribute to the Saturday serials of yesteryear. With that in mind, I'll gladly welcome another Indiana Jones movie (and maybe even one more if Ford is up to it :-)

Read More

The long-lost deleted scene from E.T. THE EXTRA-TERRESTRIAL with Harrison Ford as Elliott's principal!

Shortly after E.T. the Extra-Terrestrial came out in 1982, I heard something very interesting: that among numerous scenes that were filmed but deleted from the final print, there was a cameo appearance by Harrison Ford. He plays Elliott's principal, in a scene that takes place after Elliott goes nuts in the science lab. When Steven Spielberg re-released the movie in 2002 he re-incorporated a lot of the previously deleted material, but Ford's appearance wasn't among the additions. The story is that Spielberg wanted E.T. to be a movie about the children, and the principal's office scene lingered too long on the adults.

So for a quarter-century, I've always been intrigued by this scene. I never thought I'd ever get to see it. And then this morning word reaches me that the deleted Harrison Ford cameo from E.T. the Extra-Terrstrial is on YouTube!

Here it is...

Some thoughts here: I find this to be a fascinating sequence! No audience would fail to recognize Harrison Ford's voice and gestures in this scene. But did you notice how not once do we actually see Ford's face? The focus is still on Elliott and how he's perceiving his predicament. The principal is handled much like how Charles Schulz treated the adults in the Peanuts cartoons (minus the "wah-wah-wah-wah" sound effect).

Whatever Spielberg believed about this scene taking the focus away from the children, I couldn't help but think that it emphasized Elliott's conflict with the adult world that much more. The way this scene is shot, the principal - by taking away what identifies him most as a human, instead becomes an impersonal presence of authority - however soothing his words are - that reinforces this adult mindset that Elliott and the other children are coming to be set against.

Take note also of the very beginning of this clip, as the school nurses apprehend Elliott. Maybe you're wondering: "What's Elliott doing here?" I've seen photos of this over the years but again, this is the first that I've actually seen real footage of it. If you look at the board and the walls, Elliott is drawing what looks to be a diagram of circuitry. This is more of E.T.'s mental influence on Elliott: E.T. had taken apart Gertie's Speak & Spell and he was sending his thoughts about the electrical workings to Elliott, who responded by drawing them on the school walls.

I'd love to see this stuff implemented in a new edition of E.T. the Extra-Terrestrial at some point.

Read More

TRANSFORMERS 2 shaping up fast and my vow regarding TRANSFORMERS: THE SCORE

Tonight I'm still getting plenty of e-mails from folks telling me their tales of woe regarding their not being able to find Transformers: The Score anywhere.

How bad is this? Enough that I'm now feeling some regret at having some copies of the CD here, knowing that most people aren't getting it.

So here's my solemn vow, as an Eagle Scout...

Being that I cannot in good conscience listen to Transformers: The Score and feel right about that after knowing that most people cannot purchase it at all, I promise to no longer listen to Transformers: The Score until I have bought two copies of this CD at a traditional retail outlet. That will be an assurance to me that the CD is finally getting the distribution that it deserves.

Hey, I held off on kissing Lisa until our wedding ceremony. Abstaining from the Transformers score is an easy thing to do after that :-P

Here's hoping and praying that we'll get some official word about the score CD situation soon. In the meantime, there is some good news regarding Transformers 2 or whatever it's title will be:

- Steven Spielberg says that the story for Transformers 2 will be finished within the next two weeks and that if the writer's strike doesn't happen in November then production should begin "pretty quickly".

- Spielberg also says that a full-fledged script may be ready within a month and that Shia Le Beouf is on board for "multiple" sequels.

- Digital pre-visualizations are already well underway! Some of this includes designs that weren't used in the first film... which may be a good sign for those Transformers fans who wanted (but didn't get) to see Arcee: maybe in Part 2 they'll have her at last.

And yeah, I've been following some of the story about the "treatment" that may or may not have been generated somewhere among The Powers That Be (mash down here for an intriguing comment by the admin of Michael Bay's forums). Don't really think we should be reading too much into it right now, 'cuz this early on in a movie's planning stages there's all kinds of ideas and crazy notions that get jotted down, then rejected, sometimes picked up again and almost invariably leading to permutations far different than how they were originally conceived. In the very early drafts of George Lucas's "The Star Wars" there was a guy named Darth Vader but he was a pretty minor character, so anything can still happen.

Oh yeah, only five more days until Transformers is out on DVD, too! :-)

Read More