The Visitors came forty years ago this month

I was reminded of something earlier today, and I can't believe that this somehow slipped past the radar screen...

Last week, May 1st, was the fortieth anniversary of the premiere of the NBC television miniseries V.

That doesn't seem possible.  It's like it was only yesterday that creator Kenneth Johnson unleashed his nightmarish vision of fascism on a global scale.  The Visitors came to major cities across the planet, in fifty ships each three miles in diameter.  They looked like us.  They came from a dying planet and they needed humanity's help.  They came in peace.

And it was all a damnable lie.  Their intent was to rape the Earth, seizing every precious natural resource.  And the fate of mankind?  Something truly horrifying.  Four decades later and the scene of all those humans in cold storage still sends a shiver up my spine.

It was a grand endeavor.  What if Nazism had conquered the planet?  V was about that.  Every aspect of true-life fascism was portrayed, magnified through the lens of science-fiction.  But it was also about hope, and taking a stand and fighting back.  More than it frightened us, V inspired us.  The film was dedicated to the resistance fighters, wherever they have been found, past present and future.

This franchise deserved better!  Johnson's original plan as he presented it to NBC was that after the original miniseries, there would be three or four television movies each season, depicting the Visitors' occupation of Earth in various places.  But the executives didn't want that.  They wanted a second miniseries and using that to launch a weekly series.  They got that, but the follow-ups lost a lot of the spirit of the original.  V wasn't something like Star Wars, it was about a much deeper notion.  And then around 2009 ABC tried to reboot the franchise, but it failed for various reasons (I thought it was quite an admirable effort though).

It was an awe-some television experience.  So many moments from it that no doubt still stick out in the minds of many.

But here is my favorite moment.  Not just of the miniseries, but one of my most favorite moments in television, ever.  The final scene of Part One of V, the original miniseries.  Abraham, the elderly Holocaust survivor and his friend Ruby, find a group of teenagers who are vandalizing Visitor propaganda posters.  He stops them.

No, I won't say anything else.  Let the scene speak for itself:

 

 

And from that moment, humanity has a symbol of resistance.

It's a little dated now, but what do you expect from a television miniseries forty years old?  Don't let that stop you from watching it.  And you'll probably be like the rest of us were at the time: wondering how the HECK did any major broadcast network get away with all the stuff that they showed in this movie?

You'll see what I mean when you watch it.

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Finally watched last night's V and finale of AMC's THE PRISONER

AMC's much-promoted revamp of The Prisoner concluded last night. After watching both hours twice-over now I am going to say that that, acknowledging that while mine is going to be in the minority of opinions, that I very much enjoyed it and thought it was time well spent. And I will likely be getting the DVD of the series when it becomes available. But I will say that AMC way over-hyped The Prisoner. And so much so that I have to wonder how much confidence they had in their own product. Doing "coming up" bumpers before each commercial break did nothing to instill one's faith in this show as a viewer. Without those, I think The Prisoner could have been much more enjoyable. Another reason why I'm looking forward to a DVD set of this.

Meanwhile, ABC aired the third episode of the relaunched V. I watched it from the good ol' DVR this morning. Last week I said that V needs to drastically ramp-up its action and intrigue. Well, it's a funny thing but last night's installment "A Bright New Day" did just that and in spades! The Visitors (in perhaps a thinly-veiled commentary on real-life immigration policies) began receiving passports and visas to travel throughout the country. We discovered that the Visitors had secretly been installing themselves on Earth for at least twenty years. We learned a lot more about the traitors and the words "Fifth Column" were finally used in this V's incarnation. And there were devious plot twists out the wazoo. If V keeps up this kind of tempo, it will almost certainly become the breakout hit of this television season and set itself up as the high-brow science-fiction series of the medium in the absence of Battlestar Galactica and the soon-to-depart Lost. After last night's show, me want more V!

Okay, three hours of television from one night: that's way more than what I'm used to. I'm gonna go read a book or three and compensate.

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Second episode of ABC's new V just aired

I'm still enjoying this re-imagined V (slam here for my review of the pilot episode). ABC is doing a fine job of updating the concepts of the original. However, I'm more than a little compelled to say that this show needs to ratchet up the intensity. Tonight's episode "There is No Normal Anymore" picked up right after the end of last week's premiere, and then hit a plodding stride.

Maybe this is still just "setup" for a bigger payoff later. I hope so, because V has tons of potential. But unless there's some master arc plan in the works that we aren't aware of the show is taking its own sweet time more than Babylon 5 did, or Ronald Moore's Battlestar Galactica. It worked very well on those series and it can work just as well now, but V's showrunners need to pick up the pace bigtime, or all the interest it's enjoying now will peter out fast.

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ABC's revamp of V premiered tonight

Giant alien spacecraft arrive over dozens of major cities around the world and their leader - a sexy brunette in a revealing skirt and high heels - broadcasts a greeting in perfect English and all these other languages in 100,800,000 progressive high-def television, says her name is "Anna" and that humanity is the first sentient life they have ever encountered... and nobody on Earth is bothering to ask HOW the hell any of this is possible?!

Well, other than that...

(I'll interject that all of those previous plotholes were quickly forgotten just before the final commercial break, when Elizabeth Mitchell's character peeled back the skin and I screamed out "OH HELL YES!!")

I watched the premiere episode of V tonight on ABC and thought it was wildly and surprisingly good. I loved the original V miniseries from 1983, thought the following year's V: The Final Battle stank on ice and that the regular series that ran for one season was science fiction with an identity crisis: "Dallas in outer space" was nobody's idea of fun.

So what did we get tonight? A deftly produced update that sharply refocuses on Kenneth Johnson's original concept... which is what a lot of people wanted to see more of following the original miniseries to begin with.

Specifics? The first half was a tad bit slow, but everything ramped up like crazy in the folowing thirty minutes. In one hour we got just about all of the major elements of the classic V mythology: the Visitors, their real nature, their propaganda and how humans buy into it, the resistance, the "traitors"... all of it smartly overhauled and made meaner for a modern audience that after Lost and Battlestar Galactica is demanding more. I think V stands a good chance at delivering.

Other things: I thought Scott Wolf's character of Chad the journalist made for a far more convincing example of "situational ethics" than did the thing between the Visitors and Christine Walsh in the original. Looking back, Walsh caved way too early. Chad is a reporter who is all too aware of his career and his professional morals... and that cries out pending conflict. Elizabeth Mitchell, who has become one of my favorite players on Lost, is a treat here too: maybe a bit shallow in this initial act, but I thought the same of her Juliet character from Lost at first too, so I'm thinking she'll continue to impress as time goes on. My favorite character of the new V so far though has to be that Catholic priest played by Joel Gretsch: the sermon he gives about how trust has to be earned, not given away freely... that was a dimension that I never saw in V's original incarnation.

Overall, I thought that this promises to use extraordinarily inhuman catalysts to explore some very human conditions. So long as it remains true to character and doesn't spin out of control into a special-effects schlockfest (and keeping the rodent digestion to a minimum) I think ABC's V could develop into an exceptionally fine series.

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Wanna see the first eight minutes of ABC's remake of V?

Here ya go!

The Nazi lizards from outer space invade again for the first time next week, November 3rd at 8 p.m. ET/PT on ABC.

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"They call it spreading hope!" It's ABC's trailer for V!

This could be the breakout hit of the 2009-2010 television season. But what has me gushing with joy is the return of the blood-red "V" graffiti! And I especially love how the reboot updates the premise of the original miniseries by having resistance to the Visitors spreading viral on the Internet.

Check out ABC's first trailer for V...

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Two clips from ABC's reboot of V!

Courtesy of James Hibberd's The Live Feed. Watch Elizabeth Mitchell (Juliet from Lost) gazing up at the sky along with the rest of humanity...

And then there's this clip, which I find to be much more promising/menacing...

The first clip seemed kinda... bland. Maybe it's just 'cuz I'm still a fan of old-school V (the original 1983 miniseries anyway). But the second one has sold me on this re-imagining's potential. That is a drop of distilled essence of what made the first miniseries so powerful and unbelievably scary: creeping fascism on a global scale.

ABC has already committed V to series based on its pilot. It should start running later on in the 2009-2010 season.

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ABC greenlights V remake pilot... and Hollywood threatens to make THE A-TEAM movie

The long, long, long-attempted effort to relaunch V - yeah, the 1980s sci-fi franchise about the humanoid lizards come to steal our water, rape our wimmunfolk and eat us for lunch (literally) - is finally getting off the ground at ABC. The network has commissioned a pilot episode, presumably that will premiere this coming fall.

If handled right, this could be a terrific show that might pick up the same fans who are currently hooked on Lost (which will see its final season next year). Unfortunately, V creator Kenneth Johnson is not aboard for this go-round... and I've long thought that if he had been given complete control over his original concept, that NBC could have had one of the greatest television series of the Eighties. Alas! Too many suits ruined that...

And speaking of NBC television shows from two decades ago, June 11, 2010 is the penciled-in date for the big-screen adaptation of The A-Team, according to The Hollywood Reporter.

Unless this movie uses the original Vietnam War concept to springboard the plot with, and utilizes a convincing computer-rendered B.A. Baracus (with Mr. T's voice), this will bomb bigtime. Pity the fool who thinks he can tamper with The A-Team and get away with it.

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Kenneth Johnson is making V into a big-screen feature?!

That's what Ain't It Cool News is reporting today. The guys at Latino Film Review seem to have gotten their hands on the proposal script, and it reads like a combo of the two miniseries (minus that "Starchild" crap, well let's hope it's not in it anyway).

Even if this specific project never gets made, I don't care. I'm just glad to hear that there is some movement afoot to bring V back to the screen.

Hopefully as a re-imagined and updated story, but maintaining the same basic premise. With Kenneth Johnson given complete control over it. I've said it before and I'll say it again: if NBC had let him run V the way he intended, it would have become something truly monumental. V, the original 1983 miniseries, is still considered one of the most memorable achievements of that decade's television.

And there's been no better time to resurrect V than now. If the new Battlestar Galactica can soar, a new V would practically become a license to print money for whatever studio produces it.

I just have one request to Johnson and the other powers-that-be. If and when V gets relaunched, please, please include an adaptation of the final scene from Part 1 of the original V miniseries. 'Cuz a quarter-century later I still feel a lump in my throat when I see Abraham, the elderly Jewish man wonderfully played by Leonard Cimino, admonishing those kids...

"No! If you're going to do it, do it right. I'll show you."

(Abraham guides the teen's hand as he spray-paints a blood-red "V" on the Visitor poster)

"You understand? For VICTORY! Go tell your friends."

If they include an update for that scene that's just as powerful as the original, I swear that I will see V five times on opening day.

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Those danged Nazi lizards from outer space are coming back!

Look at what's being published on January 8th, 2008!

From the creator of V himself Kenneth Johnson, and weighing-in at 448 pages, it's V: The Second Generation.

So in case you are one of the "younger" generation (i.e. my friends younger than 20) and are wondering what V is: almost a quarter-century later it still ranks among the scariest and most disturbing things ever put on American television. And had it been better managed, it had the potential to be one of the greatest sci-fi franchises of all time.

In the spring of 1983, NBC broadcast the two-part original miniseries V. They came from a distant star: a fleet of fifty gigantic "motherships" - five miles in diameter - one for each of the largest cities on Earth. These "Visitors" - who looked human in every way - came begging for Earth's help, claiming that their home planet was dying and that only certain chemicals manufactured on Earth could stave off disaster. In return for our aid, the Visitors promised new technology and medicine and that when done, they would leave us in peace.

What happened after that made V into one of the most brilliant fables about tyranny and resistance of modern times. It was Nazism on a global scale. And there are moments from this miniseries that have haunted many people to this day: I've no doubt that the scene where Diana "has dinner" is going to be burned into my gray matter until the day I die.

The original miniseries was amazing, and ended on a terrific cliffhanger. And had creator Kenneth Johnson had his way, V would have become a series of television movies that would further chronicle mankind's worldwide fight against the Visitors. Unfortunately the NBC suits wanted another full-blown miniseries and then a weekly series. Johnson worked on the 1984 sequel V: The Final Battle for a bit and then left the project, and based on what I've heard over the years Johnson had a much different (and better) idea of where to take the story than what NBC did with the franchise. The ending of V: The Final Battle has too much mystical hokum (I hate the whole "star child" thing) and the ensuing regular weekly series quickly devolved into not much more than "Dallas in Space". It was canceled after one season.

I've thought for a long time now that V was a great concept, that is perhaps more fitting to the world we live in today than it did twenty-odd years ago. There was an attempt in the early-1990s to revive it (courtesy of Babylon 5-helmer J. Michael Straczynski) that would have been set in the years following Earth's final surrender to the Visitors, before the arrival of the Visitors' "enemy" that Juliet had sent the signal to at the end of the first miniseries. That didn't get past the script stage, but from what I've read of it Straczynski had bold ideas in mind for maturely progressing the story past the mistakes of the second miniseries and the regular show.

It looks like V: The Second Generation is going to build on at least the original miniseries. But perhaps a thorough rebooting is more appropriate. I mean, V - the original four-hour miniseries anyway - was a magnificent achievement of compelling story, wonderful characters, and early-Eighties special effects. But by today's standards, it's woefully out-dated. Seeing the Maxwell kids playing an Atari 2600 made sense in 1983, but it's too era-specific today. And no doubt that if the Visitors first came to a world circa-2007, they would take active measures to clamp down on the Internet. Heck, they would probably have their own website set up with all of that cool Visitor propaganda.

But the biggest impetus to entirely relaunch V is this: can you imagine how that same premise could be executed today, with the same technology that makes shows like the current Battlestar Galactica possible? V would finally stand to be a true depiction of global war, instead of just seeing it through the eyes of folks in Los Angeles (yah that did get tiring after awhile).

Anyhoo, problems that eventually plagued the franchise aside, I'll eagerly be watching for V: The Second Generation when it hits shelves in another month or so :-)

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