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Tuesday, December 05, 2006

What's a good "upconverting" DVD player?

Lisa and I are still in awe at "the Behemoth": the 37 inch LCD high-def TV we got about two weeks ago. Not that we're really that materialistic or anything: "instant gratification" is something we've never really pursued so far as "buying things" goes. But all the same: this is one heckuva television... and I've never even been a die-hard TV person! It's not just the high-def broadcast that's amazing either: I never imagined that Halo on the Xbox could look so beautiful.

So yeah, we like it a lot. And though I'm on the conservative side when it comes to new technology, I must admit that I would love to get as much out of this as I can. The sound quality is perfect for us as it is (I doubt I'll ever spring for a Surround Sound or home THX system) but when it comes to playing DVDs, well...

I'm waiting at least two years, and see which of the two competing high-def formats becomes the standard. But all the same, I'd love to get as good a picture as can possibly be produced from my collection of DVDs.

So for the past several days I've been researching standard DVD players with the "upconversion" feature, or sometimes called "upscaling". That means that the player enhances the video data from the DVD for output through the HDMI channel. A lot of people swear that this makes standard DVDs look really good on an HDTV: that even at 1080i it's pretty stunning. If there's any way to make my precious Star Wars saga or The Lord of the Rings look that much more awesome on this high-def set, I'd certainly fork over a reasonable amount of coin for it.

So if anyone knows of a DVD player with upconversion that would be well worth the money, that you know does a really good job at improving the resolution/color/other stuff, I'd appreciate it if you could please recommend it to me :-) Thanks!

The book binge continues with HELTER SKELTER

I commented to Mom earlier tonight (okay, so it's 3:30 a.m. on December 5th, and I've been awake since yesterday morning, so it was really Monday night) that in the three-some months during which I was running the school board campaign, I lost track of everything that I usually keep up with. Among those are movies that have came out that I've wanted to see but haven't had time to yet (The Prestige, The Fountain and Casino Royale are tops on the list).

And I'm a voracious reader too, and there hasn't been time to do that much either. The rumor is that the seventh and final Harry Potter novel is due to come out on July 7th (#7 on 7/07/07, wouldn't that be cool?) and I'm hoping to re-read all six of the current books before then. In the meantime I'm catching up with stuff that's come out lately, like the new Star Wars novel Darth Bane: Path of Destruction and Michael Crichton's latest thriller Next. I'll probably be picking up Orson Scott Card's Empire - a speculative novel about a modern day civil war in America - pretty soon.

But in the meantime, ever since finishing Next a few nights ago, I've immersed myself in another book. One that I've read many, many times over the years...

"The story you are about to read will scare the hell out of you"

Those are the very first words that you find when you open the cover of Helter Skelter. If anything, it's an underwhelming warning that isn't adequate enough at all. Because after more than three decades, Helter Skelter is still the most classic true-life crime book ever written. And no matter how many times I've read it, the book continues to horrify.

This is the same copy I bought in May of 1992, a few weeks before graduating from high school. My best friend Chad had been reading it and he said I would probably ummm... well, "enjoy" isn't the right word to use, is it? One of the local stations happened to run the Helter Skelter TV movie like a week before I got the book, and that piqued my curiosity all the more. Once I started reading it I could barely stop.

This is still the definitive book about the Charles Manson murders. Written by Vincent Bugliosi: the man who prosecuted Manson and the other defendants in the 1969 Tate-LaBianca murder case. This is the textbook that should be studied at length by every judge, lawyer, and member of the law enforcement in the country, and anyone else interested in the law. Helter Skelter is not only an amazing study in how to build up and prosecute a criminal case, but it's also a dire chronicle of official blundering and the negative impact of departmental rivalry. I still cannot comprehend how the investigators originally did not believe the murders at the Tate house and the ones the following night at the LaBianca residence were connected in spite of the similarities... like ummmm, the words written in blood at both scenes.

By the way, 2006 marks the thirtieth anniversary of the Helter Skelter two-part made-for-TV movie. It came out not long ago on DVD if you ever want to watch it. Apart from the names of some of the characters being changed (the most obvious being Manson's defense attorney Irving Kanarek, who came Mr. "Scoble" in this production) it's probably the most accurate film adaptation from a book I've ever seen. One thing I happened to catch is that during the raid on Spahn Ranch in the movie, Juan Flynn is dressed exactly as he is shown in the photo in the book, even though Flynn has no speaking role in the film. It's the small details like that which make this movie so good. And it must be said: the portrayal by Steve Railsback of Charles Manson is still one of the most chilling ever seen of any character in movie history. Too bad that his performance was so awesome that Railsback wound up getting typecast because of it and since then has mostly found work playing other murderous wackos (he even played Ed Gein in a movie about that case).

Anyways, I'm re-reading Helter Skelter now, and at the rate I'm going I might have 9 or 10 more books read by New Year's. Which is all the more impressive considering we've got that new 37-inch high-def TV set (maybe I'll play the Helter Skelter DVD on it for Lisa to watch :-P).

Scales Street at 10 PM on a Saturday night in December

I did nothing on my shift from 3 to 11 p.m. this past Saturday except run the Draper, Leakesville and Reidsville Christmas parades over and over again (that wasn't my programming decision by the way :-). Lisa said she was coming by the station and I asked her to bring my digital camera with her: I wanted to try to take some pics of the streets outside the station lit up for Christmas.

These were taken at 10 p.m. on the night of December 2nd, 2006, from the corner of Scales Street and Gilmer Street in Reidsville, North Carolina. The first is looking north up Scales (you can just see the Confederate monument way down the street)...

This next one is looking toward the big mural...

I'm going to take a few more nighttime pics of places around here decked out for the holidays in the next few weeks. And a short while before I took these, I snapped some pics of the inside of our station. So if you ever wanted to know what the real innards of a TV station look like, your chance is coming up soon :-)

Monday, December 04, 2006

Hillary is running for President?

Dear Lord... I never thought I'd be using this again:

The "Hillary as a dominatrix" element is from a 1993 issue of the old Spy Magazine. On the night of November 4th, 1996 - the night before the election - posters showing her in that getup with the caption "Put yourself in bondage, Elect Clinton on Tuesday" appeared all over the Elon College campus. That lil' bit of mischief was the work of myself and two friends. Now here it is ten years later and I've made another "Put yourself in bondage" graphic. I never thought this would be happening again, but with reports coming in that she's serious about running for President the circumstance kind of demanded it.

I could say more about this, but I'll save it for some other time.

Windows Vista: Nine different ways to turn it off

Another entry in the "Just because it's done by committee doesn't mean it's good" file. This one's from BusinessWeek.com: Microsoft's new Windows Vista operating system will have NINE different ways to shut down.
How many ways should you be able to shut off a laptop? How about nine? Microsoft's long-awaited Vista operating system, launched for business customers on Nov. 30, includes that many options, according to programmers familiar with the software. That's two shortcut icons and a shut-down menu with a full seven options.

The number of choices has some techies chortling at what they see as the sheer absurdity of it all—and others astounded that the software giant could come out with something so unwieldy after years of development. Critics say that Vista, for all its capabilities, could end up being too complex for the average consumer. After all, how many features do you need for the computer equivalent of a light switch? "I'm sure there's a whole team of [user interface] designers, programmers, and testers who worked very hard on the OFF button in Windows Vista," writes Joel Spolsky, a New York software developer, on his blog, "but seriously, is this the best you could come up with?"

It definitely didn't stem from this, but awhile back I decided that I won't be upgrading to Windows Vista for quite some time: Possibly not for a year or even more. Windows XP has been working just fine for me for almost five years now, with the fewest problems I've ever encountered from a Windows operating system. I don't see how my current productivity is going to be increased or improved upon by adopting Vista. And I would even go so far as to ask others to seriously consider whether it's worth the time and effort to change over to Vista from something already known to be pretty reliable.

Saturday, December 02, 2006

"It's like SYRIANA meets JURASSIC PARK": Review of Michael Crichton's NEXT

I was in the Wal-Mart Supercenter at around 10 o'clock on Wednesday night. It was just a short trip to get a few things and although I knew it would probably be a longshot, I checked out the book section to see if they had Orson Scott Card's new novel Empire, which just came out this week and I've heard a lot of raves about it. Empire wasn't there (I'll probably get it sometime this weekend though) but there was another book that caught my eye...

The barcode superimposed over the silhouetted monkey would have piqued my curiosity anyway, but the fact that it had "MICHAEL CRICHTON" printed in big red letters on the front cover certainly didn't hurt any either. I've been enjoying Crichton's stuff for about fifteen years now. Maybe over the holidays I'll check out State of Fear, which "Weird" Ed said was a whompin' good read. But I enjoyed Timeline and Prey plenty enough, so I figured this was worth a gamble. So without knowing anything else about the book other than what it read on the inside of the jacket, without even knowing that this book existed at all before finding it in Wal-Mart, I plunked down eighteen bucks and bought Next.

With each novel Crichton takes what subject matter that his interest is focused on at the moment, researches the hell out of it, then churns out a rollickin'-good story that's part techno-thriller and part cautionary tale. Crichton has run the gamut of topics over the year with animal behavior (Congo and The Lost World), quantum physics (Timeline), nano-technology (Prey), Japanese-American relations (Rising Sun), sexual harassment (Disclosure), and whatever it was that The Andromeda Strain was about in addition to being a damn scary story.

With Next, Crichton returns to the topic that he found huge success with in Jurassic Park: genetic engineering. But instead of being mostly a polemic against tinkering with DNA as Jurassic Park was, Next is instead about the ramifications that are coming with the industrial craziness of selling and patenting genes and other bodily tissue. That's what the book is "about", but Crichton usually uses one subject to spin into a confrontation on multiple fronts and Next is no exception. He makes us think about what it means to be in a world where your own DNA may be the legal property of somebody else, where companies plot to genetically emblazon the McDonald's logo on the shells of sea turtles and where "wet artists" are attempting to cook-up foot-long cockroaches for household pets. That's the stuff you definitely can't miss. But Next is also about how modern people are too susceptible to believing everything they read simply because they see it on television or the Internet (the book's running gag about blondes going extinct and the part where one character "plants" false data to be found on Google illustrates the point).

Next has so many multiple plotlines that it would seem you would lose track of them all, yet Crichton always keeps the story coherent and focused on the disparate stories until they ultimately find convergence. It's like Syriana meets Jurassic Park. Just as the tagline of last year's film Syriana was "Everything is connected", that could easily describe Next... even though the probability of all these plots dealing with corporate genetics overlapping with each other does take some suspension of disbelief. The dominant storyline involves Frank Burnet, a 51-year old cancer survivor whose body is discovered to be producing unique proteins that vigorously destroy cancerous cells. What Burnet didn't realize until it was too late was that he had unwittingly signed off on ownership of his protein-producing genes to his doctor, which then wound up in the possession of genetics research firm BioGen. Burnet loses his bid in court to regain legal ownership of the cell lines and BioGen is naturally exultant to have won against the $3 billion claim. But when Frank Burnet is found to have disappeared following the destruction of the cell lines in an act of sabotage - coupled with the mysterious vanishing of all the lines' backups and genetic data - BioGen brazenly assumes their legal ownership of Burnet's cells regardless of where they may be found. So it is that Burnet's daughter Alex and her young son Jamie become the prey of a bounty hunter hired by BioGen to track them down and have them biopsied.

That's one of the things that made Next so thrilling a read for me: I'm not saying here that Crichton is a "hack writer" at all, but his more techno-centric novels do tend to follow a pattern (i.e. Jurassic Park, Timeline and Prey). With Next, Crichton amply shows that he can dispense with his tried-and-true formula and still be on top of the game so far as this genre of fiction goes. In some ways I thought that Next was the most un-Crichton-ish of any of his novels that I've read. But the maddening mixture of true-life fact and what-if speculation in Next is definitely vintage Michael Crichton.

This may be the most wild assortment of characters that Crichton has ever jammed into a single novel. There is the typical entrepreneur who dances around matters of ethics that's found in most Crichton novels. The billionaire venture capitalist. The evangelical Christian geneticist who enjoys considerable political clout. A single-mother attorney. The unscrupulous hospital pathologist. An eco-anarchist. The researcher who's been investigating autism. A sixteen-year old girl caught using fertility drugs for bizarre purpose. A Sumatran jungle guide. A young scientist and his neer-do-well older brother... and their nosey mother. The security guard who enjoys looking at seventh-grade girls too much for his own good. Gerard: one of the best characters that Crichton has ever come up with. And Dave: a chimpanzee with unusual parentage, to say the least. All of these and more make for an off-the-map oddball Greek chorus in the tragi-comedy about genetic commercialism that is Next.

Next is a novel loaded with both horror and hilarity. There are some parts of the book that will positively keep you awake at night from fear. And there are others that had my wife hearing me hysterical with laughter from a few rooms away. Mostly frightening regarding the repercussions of commercial genetics, often funny, always educational and very entertaining, Next is one of the best novels that I've read in recent memory. It's one of Michael Crichton's better books... and that's saying quite a bit.

Next is absolutely recommended reading. A book well worth picking up now before waiting for the paperback to come out. And no doubt a lot better than the inevitable movie will be (though I think that Gerard would be a heck of a great character to see realized on the big screen).

Finally wrapping up the day

Heck of a good Friday (even though it's now early Saturday morning). Went to Greensboro to pick up some portraits that Lisa and I had made together. Later in the evening we drove to Eden and had dinner at King's Inn Pizza (some of the best pizza that you'll find anywhere) then we came back and I spent the rest of the night finishing up reading Michael Crichton's new novel Next. Will be posting a review shortly but all I gotta say about this book is: it's AWESOME!!

Friday, December 01, 2006

Message on a church sign

I spotted this a little while ago on the sign outside a church while driving back from Greensboro:
"Motivation is when your dreams put on work clothes"
Thought that was well worth sharing :-)

Thursday, November 30, 2006

88 posts for the month of November 2006

I think that might be a record high. The election stuff definitely was the bulk of the articles posted here. I'm probably going to be "indexing" them for convenience sometime in the next week or so.

Ron Price appears in court: Round 1

The latest news from the ongoing scandal of elected school board candidate/admitted misdemeanor larceny offender Ron Price.

At 9 a.m. this morning Price showed up for his first court appearance in district court in Wentworth, stemming from his stealing the seven campaign signs from incumbent U.S. House candidate Brad Milller on the night before the election a few weeks ago. Based on reports I've received, not a whole lot happened. Price just had his attorney recognized by the court. He's next due to appear in court on January 25th: presumably then he'll have to answer to the charges.

So this doesn't change the fact that Price is probably going to be sworn in on December 11th... but without this thing having a quick resolution, it's going to be hanging around his neck like the proverbial dead albatross. And everyone is going to know it. He may legally have a seat, but Price definitely won't have the prestige and confidence from others that the rest of the candidates who were just elected will be enjoying. He's going to be a pariah and I really don't know if he's going to be able to make up for it. He should have pressed for a quick end to this thing. Instead it'll be hovering over his head every time he enters the school board meeting room.

As always, I'll post more on this story as it might develop. But with the next court date being January 25th it may be awhile...

SUPERMAN RETURNS: "Back to Krypton" concept art

I got the Superman Returns 2-disc Special Edition DVD on Tuesday afternoon. I absolutely love it: it's a great movie with an excellent transfer to DVD (although as I stated in my review of the movie back in July, Lex Luthor's plot in this movie is still the dumbest criminal plot of all time) and the extra features make this disc set well worth the price over the standard release. I especially liked all the deleted scenes - about fifteen minutes worth - that were included.

But I was very disappointed to find that the much-discussed "Return to Krypton" scene wasn't one of them. As you know if you've seen the film (and if you haven't seen it then you really really should 'cuz it's an awesome movie) Superman returns to Earth after being gone for five years while investigating what astronomers told him were the remains of his birth-world Krypton. Well, the scene where Superman arrived at what's left of Krypton was produced, but it didn't make the final cut of the movie. Hopefully we'll be able to see it someday in a director's cut or something.

But if you are aching to know what Superman's visit to the site of Krypton looks like, Ben Procter - one of the concept artists on Superman Returns - has posted some of the artwork for the "return to Krypton" sequence on his website. I wish more than ever that this scene had made it into the movie, 'cuz this would have truly been a staggering thing to behold on the big screen... and especially in an IMAX theater. Check this scene out of Superman's crystal ship arriving at the scene...

And look at this one. It sorta reminds me of the shattered Kilrathi homeworld you see at the beginning of Wing Commander: Prophecy...

There's plenty more where these came from, including a Quicktime video of some test footage with the ruins.

Wednesday, November 29, 2006

Review of STAR WARS: DARTH BANE: PATH OF DESTRUCTION


Darth Bane speaks with the voice of Clancy Brown. That's what I kept hearing in my head as I read Darth Bane: Path of Destruction by Drew Karpyshyn, the latest Star Wars novel. If George Lucas ever spends an episode or two of the upcoming Star Wars TV show delving into the ancient history of the saga, he absolutely must hire Clancy Brown to play Darth Bane... provided that he can get Brown to shave his head 'course. I just had to say that before I did anything else in this review because if you know the kind of characters that Clancy Brown has played (Kurgan in Highlander, Brother Justin on Carnivale, Kelvin on Lost, voicing Lex Luthor on Justice League just to name a few) that will totally have you "getting" the kind of character that Darth Bane is.

In the movie Star Wars Episode I: The Phantom Menace as we are "introduced for the first time" to the Sith, we are also told that there can be only two Sith at any one time: a master and an apprentice. Only if you had read the movie's novelization did you gain some more back-story on the Sith: it turned out that a thousand years ago the Sith were legion in number. But because of their own internecine struggles for power and the efforts of the Jedi and Republic, the Sith were almost completely wiped out... except for one. This last Sith realized the faults of the previous regime and re-created the cult so that ever afterward it would only persist in two individuals: one to hold the power and the other to lust after it.

The Sith Lord who re-established the order, according to the Episode I novel, called himself Darth Bane. It was Bane who first forged the ongoing chain of master-and-apprentice that would stretch across the millennium until it culminated in the one who would finally bring to fruition the revenge of the Sith: Darth Sidious.

We know how the Sith reign ultimately ended. And in the past few years we've had a few glimpses of Darth Bane's history (mostly through the Dark Horse comics). In Darth Bane: Path of Destruction we at last get the full story of how the Sith we've come to know and hate began in earnest, starting with the Sith Lord who's visual depictions have run anywhere from the powerful to the ridiculous (I'll never, ever forget that "cabbage head" thing from the very first released picture of Bane).

Darth Bane: Path of Destruction takes place one thousand years before the time of Emperor Palpatine: an era when the Sith were not two in number but thousands, if not millions. At this point in Star Wars history the Sith exist as perhaps a few hundred Force-users who owe their allegiance to the Dark Side, and who command a vast army of soldiers. The Sith are engaged in a galaxy-wide war for domination against the Republic and the Jedi that serve it. It's a conflict that is sapping countless star systems of both natural resources and young people who are being actively courted for recruitment by both sides.

Amid this chaos we find Dessel, a young miner of cortosis (a mineral so resilient it can stop even a lightsaber blade) on the desolate world of Apatros. Dessel has known nothing but misery and suffering all his life: first from a violent and abusive father and then the never-ending toil of working the cortosis mines. But rather than be broken by his situation, Dessel turns his loathing and rage inward, making them something he draws strength from. His afflictions harden his spirit just as the rough work and terrible conditions in the mines build him into an imposing physical figure.

After being temporarily relieved of duty in the mines following a savage fight with another worker, Dessel finds himself in a high-stakes game of Sabacc (a high-tech card came in the Star Wars universe that is something of a combination of blackjack and poker) with several Republic naval officers. Aided by his yet-discovered Force ability, Dessel wins the full pot... and finds himself ambushed by the bitter Republic personnel on his way back to the barracks. Dessel slays one in self-defense, but he knows the circumstance makes no difference: he's still looking at a stretch of hard labor in prison. Knowing that Dessel has nothing but contempt for the Republic – which is thought of as distant and indifferent toward the plight of those like the miners of Apatros – an acquaintance tells Dessel that if he wants to escape both prosecution and life on Apatros, he can be smuggled off-world and sent to join the Sith. Dessel sees that he has nothing to lose, and agrees.

A year later, Dessel is commanding a troop of Sith soldiers in a campaign against the Republic. When he commits mutiny by attacking and countermanding the orders of his superior – and displays more of his nascent talents with the Force – Dessel attracts the attention of the Dark Lords of the Sith order. Recognizing the enormous untapped potential in the young soldier, the Lords take Dessel to Korriban: the ancient homeworld of the Sith and location of the order's most high-level academy. His masters offer Dessel the opportunity to train under them and finally learn to use the Force to the maximum of his abilities. Dessel accepts, and casting off his old identity as a miner and soldier he chooses a new name, one taken from his father, who had often referred to Dessel as "the bane of my existence". And so, Bane of the Sith is born.

Bane soon throws himself more into his training than any other student at the academy. He is not only an apt pupil of the Sith masters, he spends much time in the academy's archive: studying ancient records and texts spanning the entire history of the Sith. Over time, Bane comes to realize that the Sith order that he is part of has strayed from the path of the true Sith. During the rest of the story – which involves rivalry with other students, an inter-cult battle for supremacy, and the galactic-wide war between the Jedi and the Sith – we watch as Bane searches not only for the heart of the Sith philosophy, but for his own identity and what he must be if he is truly to be dedicated to the Dark Side of the Force. By the end of the story, we can definitely see the Sith that we saw represented by Sidious, Maul and Vader come into being as Bane – who has at this point taken the long-proscribed title of "Darth" as his own – institutes the Rule of Two, having cleansed the corrupted "Sith order" and found his own apprentice.

Darth Bane: Path of Destruction reminds me an awful lot about the movie Conan the Barbarian. The central theme of that movie was the philosophy of Nietzsche: "That which does not kill me will only make me stronger". That certainly describes Dessel/Bane and the experiences that shape him from being a lowly blunt and vulgar miner into not only a formidable warrior but a leader with far-sighted wisdom. Throughout the novel we watch as Dessel is confronted with conflict, and is often beaten down and broken from it: sometimes viciously so. But from each defeat Bane comes back stronger, harder, more cunning... and more dedicated to the Dark Side. He takes the road less traveled from his fellow students, who trust their masters all too much. And in the end, when there is nothing else that he can learn from the "Sith" who took him in, Bane does with them as he has done with everything else in his life that has held him down: he casts them off and grinds them into the ground, having become a force too powerful to be contained by either other people or outdated dogma.

I liked Darth Bane: Path of Destruction a lot. I mean, a whole lot! For one thing, it's a well-structured story that proceeds at a brisk pace involving a wide variety of characters and locations... exactly as a Star Wars story should be. For another, even with last year's Dark Lord: The Rise of Darth Vader in mind, this is the first novel to come out of the Star Wars saga that deals with things, for the most part, from the Sith perspective. I liked Dark Lord a lot but that book was far more devoted to Vader's initial struggles with his new Dark Side persona (and his costume) than it was to the Sith itself. Darth Bane: Path of Destruction is the first purely Sith book that's come out so far. I'm looking forward to reading many more (especially the forthcoming novel about Darth Plagueis that James Luceno is currently writing for publication in 2008). For a first-time Star Wars novelist, Drew Karpyshyn has done a remarkable job in adding an immense amount of rich material to the saga's mythos. He also uses a lot of pre-established stuff to wonderful effect here, like the origin of the "Darth" title and using some really wicked locations like Korriban and Rakata: both of which you would know if you ever played the Knights of the Old Republic videogames. But even if you've never played the games or have no other previous knowledge of Star Wars "ancient history", you won't get lost because of a lot of obscure back-story that it would be assumed you already know: Darth Bane: Path of Destruction is a wonderful enough read that you can readily comprehend even if this is your first time delving into the centuries prior to the rise of the Empire.

I think that Darth Bane: Path of Destruction also stands solidly alongside Timothy Zahn's Outbound Flight (read my review of that book here) as a novel that "reconciles" a lot of things that have been introduced into Star Wars lore but have otherwise conflicted with each other. This is a unique period that the saga is in right now, coming immediately on the heels of Episode III: Revenge of the Sith, the final Star Wars movie to be produced. There are now some established limits in place on things that in the past few decades were left to conjecture: some of it wildly so (killer green space rabbits, Bela Lugosi as the Emperor, steam-powered starships, and sentient planets are some of the more... unusual elements to be thrown into the Star Wars mix). In Outbound Flight, Zahn "retconned-out" several problems that had arisen in continuity between his earlier Star Wars novels and the prequel trilogy. In Darth Bane: Path of Destruction Karpyshyn does just as magnificent a job at using his novel to reconcile the Sith as we understand them from the movies with the earlier incarnation of the Sith that was first introduced in the Tales of the Jedi comics that Dark Horse put out in the mid-Nineties. The fact that Karpyshyn was the writer for the amazing Star Wars role-playing game Knights of the Old Republic for Xbox and PC certainly helps matters here. Darth Bane: Path of Destruction stands as something like a "Book of Acts" for the Sith: bridging the gap between the "gospels" of Exar Kun, Naga Sadow, Darth Revan and the rest of the 4,000-years earlier period from the comics and videogames to the later stories involving Sidious and Vader.

My only big complaint with Darth Bane: Path of Destruction is that, for my tastes anyway, it figures in some things that I would have rather be left out of how the Star Wars saga is evolving post-prequels. The whole thing on the planet Ruusan could have been reworked, 'cuz that's mostly there to "work in" the central plot element from the computer game Jedi Knight: Dark Forces II... and I always thought that whole "Valley of the Jedi" thing was pretty hokey to begin with. It doesn't need canonizing like this. But Darth Bane: Path of Destruction has too much else good going for it to condemn the book on this point. So I'll overlook it the way I overlook everything else I don't agree with in the saga: by reminding myself that Star Wars is more than anything else a legend, and one as protean as the rest of them.

Darth Bane: Path of Destruction was nothing but a pure delight to read. Definitely one of the most satisfying additions to the Star Wars body of literature that I've ever taken the time to take in. I would absolutely recommend it to anyone else who's a Star Wars fan, and especially to those who find themselves more than a little infatuated with the Sith and all that other wonderfully wicked Dark Side stuff.

EDIT 11:45 PM EST: Earlier I mentioned Darth Bane having a "cabbage head". Well, here is the pic: the very first look we ever got at Darth Bane...

When we first saw this back in early 2000 or so, a lot of Star Wars fans assumed that Darth Bane is not human: maybe humanoid but not full human. It turned out that he is human after all. His "cabbage head" in his pic is actually a helmet that he comes to wear during the latter part of his life.

The story is this: Darth Bane wound up on the moon of Dxun and was attacked by barnacle-like parasitic creatures called orbalisks. The orbalisks attached themselves to Bane's body. In the end, Bane let the orbalisks keep sucking on his body's life energy while he used the orbalisks as very tough built-in body armor: a really sick symbiotic relationship. The helmet he's wearing keeps the orbalisks from spreading to where they cover his face and head (click on the pic at the left to see Darth Bane in his full orbalisk-covered glory).

The PREACHER is coming to HBO

Geez, am I conflicted about this one.

The Washington Post is reporting that HBO is now going to be making a television series based on DC's Vertigo comic Preacher (actually as dark as Preacher was it's probably better to call it a "graphic novel").

Preacher was never something that I really "got", but I read a few issues and I generally thought that the tone of the series was pretty unique and arresting. I thought its use of the old west motif was especially clever. It's just that a lot of how it tackled issues pertaining to the Christian faith didn't really appeal to me. Like, I really can't believe that God would just up and walk away from His creation simply because something went screwy with it (namely an angel and a demon copulating and having a child). Preacher's idea of Christianity never reflected my own at all... but if anyone else can read and enjoy the series without it negatively affecting their faith, I've no problem with that.

It's just that if HBO is going to make a series based on Preacher, why couldn't they have let Carnivale continue? No doubt a lot of people are going to be asking that in the days and weeks to come, given how much alike Preacher and Carnivale are to each other. I thought that show had an incredibly deep mythology that was never allowed to come into its own like it should have. It also had - and still has - a loyal following of fans that are hoping that HBO might yet let the story continue somehow (according to the show's producers, there are still two "books" of two seasons each that Carnivale had left to it, that would have brought the story to 1945). I'll check out Preacher when it premieres and decide from there whether to invest any more time watching it... but it just seems like the sensible thing that HBO should have done if they wanted to do something in this vein was just fund a third season of Carnivale and then have seen how things went from there.

Or if HBO really wants to impress on the comic book front, they should somehow snag the rights and produce a twelve-part adaptation of Watchmen: that's the ONLY way that story is ever going to be told on the screen and have it done justice.

ROCKY BALBOA has a good right cross?

Very interesting story - as in this is an angle I never considered coming from the franchise - about Rocky Balboa on Citizenlink.org. In "The Gym of the Soul", Sylvester Stallone discusses how this final installment in the Rocky series is very much a Christian film that reflects the spirituality he's returned to in recent years after spending most of his career flirting with what Stallone acknowledges were worldly lustings. Here's an excerpt:
He first explained that he felt compelled to write the first film, and he believes that drive came from above. He said the character of Rocky was meant to reflect the characteristic nature of Jesus.

"It's like he was being chosen, Jesus was over him, and he was going to be the fella that would live through the example of Christ," Stallone said. "He's very, very forgiving. There's no bitterness in him. He always turns the other cheek. And it's like his whole life was about service."

But, Stallone confessed, his own life didn't follow the humble example of the boxer who made him a Hollywood star.

"I was raised in a Catholic home, a Christian home, and I went to Catholic schools and I was taught the faith and went as far as I could with it," he said. "Until one day, you know, I got out in the so-called real world and I was presented with temptation. I kinda like lost my way and made a lot of bad choices."

No joke, said all the subscribers to People magazine.

But, Stallone added, he's been going through a change in his life. He's realized that he was wrong to place his career and fame ahead of his family.

"The more I go to church," he said, "and the more I turn myself over to the process of believing in Jesus and listening to His Word and having Him guide my hand, I feel as though the pressure is off me now."

Rocky Balboa is a witnessing tool? Apparently, it's very much so. There's even a website called RockyResources.com devoted to the Christian message of the movie.

Can't wait to see this movie: it's on my real short list of flicks to see this holiday season :-)

Tuesday, November 28, 2006

More weirdness from my TV station

I think it's safe to say that WGSR Star 39 is fast developing a reputation for showing anything no matter how offbeat/wacky. There was the first commercial from my school board campaign last month. And now there's this: a music video by Martinsville singing sensation Cindy Price called "Throw Away The Key"...
"This video is about the recent scandal of the Henry County (Virginia) Sheriff's Office, in which the sheriff and 12 current or former deputies were arrested for a racketeering conspiracy that included the distribution of illegal drugs, theft of drugs and firearms under the custody of the Sheriff's Office, money laundering and obstruction of justice."
Can't forget that it was WGSR that had the world premiere of The Baritones a few months ago either, can we? The longer I work at this place, the more it really is starting to feel like Channel U-62 from the movie UHF :-)

Monday, November 27, 2006

I watched HEROES... in glorious High-Def!

I've said it before: when it comes to television, I'm only slightly more liberal than the Amish. It takes a really impressive show for me to want to invest my time into watching it. The number of shows that I've actively kept up with during the course of my life could be counted with both hands.

Well, "Weird" Ed has been swearing to me that this new show Heroes on NBC is terrific. I've heard from a few other places also that it's supposed to be pretty good. So tonight I checked it out for the first time. And tonight's episode of Heroes has the honor of being the very first thing that I've watched all the way through in full beautiful high-definition since the guy came to install the HD box this afternoon (it also has a DVR build in... which Lisa has already fallen in love with :-).

And in HD, Heroes is awesome! Even in standard I'm sure it's really great too. Except... I have no idea what's supposed to be happening on this show! All I really got out of tonight is that the little Japanese guy is "unstuck" in time and space, and the cheerleader chick has Wolverine's healing powers. And somehow this one guy flew. Ummmm... guess I need to hit the ol' file torrents and download the first few episodes so I can get caught up. Anyhoo, looks like "Weird" Ed spotted another winner, 'cuz I'm prolly gonna be checking this out regular for awhile at least (and now that we have the DVR I can just record Monday Night Live to watch later :-).

THE RON-FIRE OF THE VANITIES: Price scandal reflects darker motives of the mainstream press

In all honesty, I'd thought that this election would be something I would have already put behind me. It was a great three months from the time I filed to run until the night the votes came in. I still haven't felt a moment's regret in not winning a seat: 4,648 are just too many votes to be anything but ecstatic about.

But yet here I am: still compelled to be writing, this time about things that never should have happened because of this election. Or at least in a sane world would have met with some accountability already.

Maybe that's one of the reasons why God led me to run: to chronicle not just what happens in the life of a political candidate, but to observe some of the things that are wrong in our system... like when an elected official is caught breaking the law and when a sheepish media is complicit – whether it realizes it or not – in letting him get away with it.

Quick recap for those who don't know what's going on: the night before the election Ron Price – one of my fellow school board candidates – stole signs belonging to the campaign of U.S. House incumbent Brad Miller. He picked up seven of them around Reidsville and along Highway 14 and put them in the trunk of his car. The story he told later was that the Miller signs were illegally placed, so he was taking them to the local DOT in Wentworth. What he still hasn't bothered to explain is if the Miller signs were put in the wrong place to begin with, why did he replace with signs from the Vernon Robinson campaign, which he was working on.

Well, Price was caught red-handed by Miller supporters, and started being followed in his car by someone who was reporting his movements to the Reidsville Police Department. Price later said he thought his life was in danger, so he drove to the Reidsville P.D., turned himself in and admitted to taking the Miller signs. The following night Price won a seat on the school board by coming in fifth place in the election.

Since then, a lot of people – including myself and several others who didn't win a seat in the election – have called for Ron Price to turn down his elected seat. He committed a criminal act, then tried to cover it up and play it down. It would be a terrible example of morality to be setting for the students of this county if Price is sworn in on December 11th. Price is insisting that he's going to be sworn in though: this crime that he’s committed hasn't bothered him at all. What's more, he's actually said to at least one person that what he did was okay because "I was elected".

But I'm not writing about Ron Price this time. I've already posted what I think about the Ron Price situation, and I still believe he should step aside.

This time, I'm writing about the media coverage of the Ron Price scandal.

Since almost immediately after the election, the local press has not been so much interested in the wrongfulness of Price's actions as it has been with the reaction from the other candidates. If what you know of the Ron Price situation only comes from the local "mainstream media", I could almost guarantee that you would come away with the impression that this entire thing is being driven by a handful of candidates who are resentful that they didn’t win in the election. And also that we are chomping at the bit to maneuver ourselves into a position to get Price's seat.

Oh okay, let's be succinct about it: the local media desperately wants this to be about bitter ex-candidates who are venting their frustration on Price so that they can fight tooth-and-nail for his seat.

They couldn't be more wrong. I've spoken with a lot of the candidates who didn't win, and not one of them has expressed – in any way, shape or form – a desire to be the one who gets Price's seat. They are interested in seeing the right thing being done in this though.

That's not good enough for the local media though. They are so resolute that this should be a bare-knuckle brawl over Price's seat that they’re throwing the semblance of journalistic objectivity right out the window. They are doing what they can to force this into be perceived as being nothing but a massive bout of jealousy.

It's like something out of Tom Wolfe's brilliant novel The Bonfire of the Vanities: the media is determined to cover the story that the media wants to be there. And it doesn't matter to the media that the story they insist on being there, isn't there to be found at all.

Take the News & Record, for example. I reminded reporter Gerald Witt over a week ago that it was inaccurate to describe those who did not win a seat as "losers", as he did in an article. We were "unsuccessful", certainly... but "losing" is something that happens because you are less skilled than another in a game. And public service is anything but a game.

We had what I thought was a vibrant exchange about the matter, with Witt even writing back to me and said that I had made a good point. I felt assured that he had taken it to heart. And then this gets published a few days ago in a set of reports to which Witt contributed:

Signs redux

We're two weeks removed from Election Day, but in Rockingham County there's still quite a bit of chatter about yard signs.

According to a Reidsville police report, Ron Price, Rockingham County school board member-elect, stole campaign signs belonging to Congressman Brad Miller a day before Election Day. The county's Democratic Party chairman didn't press charges that evening.

Since then, losing school board candidates have peppered the Internet with complaints about Price, including several entreaties calling for him to step down. That appears to be unlikely.

Look for this to get sorted out "Law and Order" style after Thanksgiving. The Rockingham County Sheriff's Office has delivered a summons for Price to appear in district court Nov. 30 to answer a criminal complaint filed by the wife of Richard Moore, one of the losing school board candidates. The independent newspaper publisher is arguably leading the way in blogging about Price.

Is it that hard to substitute "losing" with "unsuccessful"? I don't know if Witt was responsible for how this short blurb came out, but whoever it was, they seem pretty bent on casting this as an "us versus them" thing. If the only bit of info about the Price scandal was this one scrap of newspaper, how could you not think that this was about nothing but the sore "losers" going after the guy who won?

Well, whoever wrote it, I thought the wording in this excerpt was crass and purposefully inflammatory. To say nothing about how, to an objective mind, it harps on the "losing" candidates far more so than it does the seriousness of the actions that Price has admitted committing. Pointing out the severity of the crime is far graver than the crime itself, if you were to believe the tone of this article.

Then there's the local Media General newspapers in Rockingham County, including the Reidsville Review. Some people have told me in the past few days that it seems that Jennifer Williams of the Review was intentionally painting me as being a "religious whacko" in her story this past week about the candidates – including some of those who won seats – who are now questioning Price's credibility.

I've made no attempt to hide the fact that I try to follow Christ as best I can. I've done that throughout my campaign and it's something I try to do in my daily life. And I did cite some scripture to Miss Williams: about how I sent the letter to Price first and gave him the opportunity to respond. But he didn't do that, so it then fell to me to openly publish my letter for everyone to see.

But to the best of my recollection I don’t know if I ever said that Ron Price "sinned against" myself. He did do wrong though in stealing the signs. If he did wrong against me, it was that he deceived me with his words of being a "conservative" with "Judeo-Christian values". From this experience I've learned that I should "test the spirits" more from now on instead of taking someone's claims about that at face value... but that's still not "sinning" against me.

(And by the way, I may not have won a seat... but I do have the satisfaction of knowing that I didn't try to deceive people into believing I was anything other than the person God has made me to be. If Price has a conscience about the matter, it should bother him greatly that it took the practice of deception to get him elected in the first place.)

Again, I have to wonder about how the Media General papers are portraying those who are calling for Price to step down. I'm already down on record as having nothing to gain by pursuing this issue though. It was important to me to try to win a seat by popular election. No other way would satisfy me. I'm not interested in being appointed to fill a seat and I'm going to turn down any nomination that I might do so. If I choose to go after a school board seat again it'll come via election: either for a district seat in two years or when at-large seats open again in four.

The only one who might gain something out of this is Richard Moore, and even that is doubtful. Price is almost certain to be sworn in on December 11th. If he were to step down before then, it's my understanding that Moore would get the seat since he received the next highest number of votes. If Price leaves or is forced out after getting sworn in, it falls to the Board of Education to send a list of nominees to the Rockingham County Board of Commissioners. It would be they – not the school board or by popular election – who would vote on who fills the seat. And let's be honest: the probability that this Board of Commissioners would choose to put Richard Moore in a school board seat are galactically slim.

So... why is the local media so fixated on making the candidates who are calling for Price to step down look like they're so bitter and resentful?

I realized a long time ago that the mainstream press is not interested in simply reporting the news, and letting things fall where they may. The mainstream media is, first and foremost, a business. It thrives on covering conflict. And sometimes it thinks there's nothing wrong with going out of its way to instigate a lil' conflict to get people to pay attention to the media that much more: because that translates into more readership or viewers (i.e. more money).

But even money is not the real driving motive of the corporate-owned press in this country. The unprofessed first priority of the mainstream media is to maintain the status quo of society. Remember the Agents in The Matrix? At one point Morpheus refers to them as "the gatekeepers": also one of the more common monikers of the mainstream press. And just as the purpose of the Agents was to keep things under control within the world of the Matrix, the corporate-driven media is driven to focus the attention span of average Americans on meaningless pageantry... because that's what keeps the American people in line.

Why does major news media obsess on news like O.J. Simpson or the Jon-Benet Ramsey case? Why are we inundated with meaningless drivel about Britney Spears breaking up with her husband via text messaging? Why should we be confronted with the racial tirades of Mel Gibson or Michael Richards when they really have no impact on our daily life?

Because it's easy, that's why. It's a far less difficult thing to play to people's raw emotions than it is to actively engage them to think about the world that's really around them. Because if more people did get motivated to think on their own, they would start doing things about what's going on wrong around us. And if they started doing that... why good heavens, the journalists in the mainstream press would actually have to go out and work to cover real news stories!

Some of the so-called "third party" and independent candidates wonder why it is that the press doesn't give them the coverage afforded the Democrats and Republicans. Some believe that on some level it is a "conspiracy" of sorts between the two major parties and corporate journalism... but I've always thought that mostly it has to do with the mainstream press both being too lazy to pay attention to anything other than the status quo, and doing what it can to keep society in a "manageable" form. And also for the journalists' own selfish sake: right now a lot of reporters enjoy access and privilege that comes with being "in the know" with the right politicians. What would come of their luxury if suddenly a set of unknown variables – in the form of independent elected officials – was throw into the works? No, the mainstream press has a vested interest in wanting to keep things "they way they are", and they're not going to be inclined to tolerate changing the rules on that anytime soon.

Here's the dirty secret of modern journalism: the mainstream press does not appreciate people who are out to "rock the boat". They are far more respectful of people from whom they know what can be expected. All the freak shows that you see on the evening news about the cult of celebrity and how people are beating each other up over the latest new videogame system are there to distract you from having to think – or even knowing they're there at all – about real ideas and choices and consequences.

Why is it that the Ron Price scandal is not only being treated with kid gloves by the local media, but also that those calling attention to it are sublimely being referred to as "sore losers"?

Because the quality of journalism in America has deteriorated to the point that it's too much hard work to do serious investigation anymore, and because it's a lot easier thing – and it sells just as many newspapers – to render incredulous in the public's mind those who have only simply sought to do what's right.

I realize that in the scheme of things, this is a very small thing to be picking over. But in a lot of ways, the local media's treatment of the Ron Price scandal is symptomatic of what's wrong with most of American journalism. It's not so much interested in reality as it is enforcing pre-conceived notions and prejudices. Or to be more accurate about it: our media is too engrossed with crafting its "ideal" version of reality to be bothered with merely reporting about the "real" reality.

In all seriousness, I wonder if it's the least bit possible for the local media to comprehend that most of the people calling for Ron Price to step down are only doing so because they believe it is the right thing to do, for its own sake and not because there might be something to be gained from it (which there isn't).

Or if they can comprehend that, I have to wonder if they possess the desire to understand it at all.