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Friday, June 20, 2008

Review of THE INCREDIBLE HULK

Hey y'all, don't have much time to spend on a full write-up here 'cuz today is packed in anticipation of tonight's opening of the Theatre Guild of Rockingham County's production of Children of Eden. But yesterday Lisa and I managed to squeeze in a showing of The Incredible Hulk, and we thought it was great! It's not a sequel to Ang Lee's 2003 Hulk movie but rather a "reboot" into the new cinematic "shared universe" that Marvel Studios is now putting together.

The Incredible Hulk has Edward Norton playing Bruce Banner: the gamma-altered scientist who must control his anger, lest he transform into the raging green goliath known as the Hulk. Liv Tyler plays Betty Ross, the love of Banner's life. It's made all the more complicated by the fact that Betty's father General "Thunderbolt" Ross (William Hurt) is trying to find the runaway Banner and weaponize whatever the heck it was that went wrong - or went right - with him. Aiding the general is Russian mercenary Emil Blonsky (Tim Roth). Tim Blake Nelson also makes an appearance as Samuel Sterns: not the janitor of the classic Marvel comics, but here a university scientist.

If The Incredible Hulk has anything weighed against it, it's not within the movie itself or from box office competition (as if The Love Guru is going to be worth your eight bucks plus price of popcorn). Rather it will be lingering sentiment from Ang Lee's 2003 Hulk movie. I'm one of of the very few who will admit to liking Ang Lee's vision of the Hulk. In my mind there's not much wrong with Lee's Hulk movie. He tried to make a comic book come to life on the big screen - panels and all - and in that sense it worked beautifully. But it was a handicap toward commercial success. As Orson Scott Card noted a few years ago, movies based on comic books can either be (a) made for the fans of the comic book or (b) made for movie audiences in general. Ang Lee's approach from the former jarred many who were expecting an action spectacle. I must say this though: the scene toward the end of Hulk between Bruce and his father David as they meet - you know what I'm talking about if you've watched it - is my favorite single scene from any comic book movie of recent years. That scene alone is why Hulk still whirs happily in my DVD player every so often.

But there's no denying the obvious: Ang Lee's Hulk was on many fronts a disappointment. Five years later and people still remember that. And that's the biggest hurdle that 2008's The Incredible Hulk must overcome.

I hope it does, because The Incredible Hulk is a very good movie. And if you did enjoy 2003's Hulk, I think you will be very pleasantly surprised at how much better The Incredible Hulk is. Director Louis Leterrier took the more wise approach and made this a movie that everyone can dig, whether die-hard fans of the comic or those who fondly remember Kenneth Johnson's television series, or just casual movie-goers. Indeed The Incredible Hulk, as my friend Phillip Arthur has observed, is something of a synthesis of the 1970s The Incredible Hulk television show and the recent incarnation of the character from Marvel Comics' Ultimate line. The film begins with one of the smarter origin sequences for a comics-inspired film: Bruce Banner conducts an experiment on himself involving gamma radiation, in a shot directly inspired by the now-famous image of Bill Bixby sitting in the gamma machine from the television show. Without a word of audible dialogue we see how something goes very wrong, and Banner transforms into the green Goliath for the first time. Banner escapes and goes on the run, trying to flee both from love for Betty and capture by the military.

If there's one thing that I miss from Hulk that is not in The Incredible Hulk, it's the subplot about Banner and his father, and how that was the source of Banner's pent-up rage. But on the other hand, The Incredible Hulk plays up more of the classic angle of Banner being a man who wants to be left alone and can't stop the constant harassment by those who would exploit or destroy him. As Phillip also previously wrote, it's like "Frankenstein meets The Fugitive".

The action sequences in The Incredible Hulk destroy lots of property, like military equipment and a university and much of downtown New York City... which for a property like Hulk, that's a good thing! I thought that Emil Blonsky/the Abomination was a much better physical foe than David Banner was in the 2003 Hulk movie (but why couldn't they give him the ears he has in the comic?). There are also many nods to the Seventies television series, including how they were able to include Bill Bixby (won't say how, but I couldn't help but have a wide-eyed grin at seeing him here). Lou Ferrigno has a much better cameo appearance than the one he had in Hulk. Craig Armstrong's score also includes "The Lonely Man" theme from the television show. And of course there is the ubiquitous crashing the party - as he does with every Marvel movie but we do enjoy looking for him - of Stan "The Man" Lee, in what is likely his strangest cameo yet.

And then there is that final scene in the bar, between General Ross and a certain character - played by the same actor - from this summer's OTHER Marvel Comics movie. In another era, it might have been a tacked-on thing. But between that and the other references in The Incredible Hulk - including what happens to Stearns and even to what Marvel geeks will recognize as the "Super Soldier" program that produced Captain America - there's a real sense of a new mythology being built on screen, in a way that I can't recall has ever been done this way before. If done right, this could be a very cool thing that Marvel Studios is working toward. It's almost enough to make me think that the X-Men and Spider-Man movies came along a decade too early.

Anyhoo, check out The Incredible Hulk. I think you'll find it a far better movie than anything you might have been expecting. Definitely one to add to the DVD library later this year, too.

Thursday, June 19, 2008

CHILDREN OF EDEN: 1 Day Left Before Opening Night

Here's a photo from rehearsal last night, from the end of Act I. This is right after Eve (Rose Cutuli Wray) has bid goodbye to Seth (me), Seth's Wife (Tisha Owens) and is now telling the rest of her descendants farewell. Also in this picture are Justin Marcellus, Jamia Parker, Jessica Wray, and Tyler Alverson...

Rehearsal went extremely well! We've got one more left before the curtain opens before a real audience tomorrow night for Theatre Guild of Rockingham County's production of Children of Eden.

One thing that's kind of funny is that Pete Barr, the director, came to me the other night and asked if I could "tone down" the boogeying during "Ain't It Good". It's like the story of when George Lucas was filming Star Wars Episode I and Liam Neeson and Ewan McGregor kept making the noises with their mouths and didn't realize it, and Lucas told them they didn't need to do that. I've been listening to the Children of Eden soundtrack for nigh on a decade, and the beat and rhythm are now ingrained into my brain and body. Long story short: I'm having way too much fun up there! But the past few nights I've held back a bit, while still enjoying the beat of the song (perhaps the liveliest of the entire show).

The Media General papers also have a great story about the Theatre Guild's production of Children of Eden.

Wednesday, June 18, 2008

CHILDREN OF EDEN: What do I look like as Seth?

Okay, sure...

Here I am as Seth (while holding the Staff of Adam) in the Theatre Guild of Rockingham County's production of Children of Eden:

No, your eyes aren't playing tricks on you: that is a good part of my Jedi Knight costume! I'm also playing a Storyteller and we needed something to differentiate me when I appear as Seth at the end of Act I. Children of Eden's costumer Kathy Morrison and I were talking about what we could do, and I mentioned that I had a Jedi Knight getup and then... click! I brought it in the next night and she worked over the next few days adding some color to the tabard and waist sash.

That is also the very first time in well over 25 years that I have worn sandals. Most of the time I wear sturdy leather hiking boots, either that or tennis shoes. It kinda goes against my attire philosophy to look like this. Yeah, just one of many personal quirks that most people don't know about. But hey, how many people in antediluvian days wore hiking boots? It kinda reminds me of the line that Kent Brockman once had on The Simpsons: "Authorities say the phony Pope can be recognized by his high-top sneakers and incredibly foul mouth." Anyway, I wanted to be in Children of Eden, so here's my chance and it's a small enough sacrifice :-)

The rest of the time in Act I I'm wearing the same outfit minus the kimono, tabard and sash. There's a blue vest that I put over the tunic in Act II 'cuz that's the more colorful period. Speaking of the tunic: it's hard to walk in that thing! I've a pretty long gait and it's becoming something to trip over. But so far, I haven't fallen (and I'm knocking on wood as I type this).

Maybe more pictures later tonight!

"Midnight" a decently good "filler" episode of DOCTOR WHO

"Baaaah! Taking a big space truck with a bunch of strangers across a diamond planet called Midnight. What could possibly go wrong?"
This is about the time every season since Doctor Who revived its run that we get "filler" episodes before the big multi-part finale. Sometimes they go well (last year's "Blink" which was written by Steven Moffat, who has received exceptional praise for the two-part story of the previous weeks) and sometimes they don't go well at all (cough-cough "Fear Her" and "Love & Monsters" cough-cough). This year it chimes at "Midnight".

Essentially a one-scene play apart from the bookends, the eponymous planet of "Midnight" is an interesting world: the entire surface is crystal, and the star it orbits puts out enough light to flash-fry exposed flesh. But none of this has stopped a thriving resort from being set up on Midnight's surface. While Donna gets in some sunbathing beneath 15-foot thick glass windows, the Doctor joins a four-hour bus excursion to see something called the Sapphire Waterfall. But it would have been a very boring episode if that's all that the plot entailed: naturally, things go wrong.

"Midnight" has some notable curiosities to it. This is the first Doctor Who story since 1975's "Genesis of the Daleks" that does not feature an appearance by the TARDIS. It is also the first since "The Deadly Assassin" that puts the Doctor in a story without benefit of any companion. And David Troughton, who plays Professor Hobbes in the episode, is the son of Patrick Troughton who played the Second Doctor from 1966 to 1969.

It's a fairly good episode, although it may not have as solid a resolution as most fans of Doctor Who would come to expect. Toward the end it begins to drag a bit. The mood of "Midnight" is one of claustrophobic paranoia: something that seems somewhat at odds with the usual tone of Doctor Who. Between the setting and the group of strangers who band together to survive, I was reminded of the movie Pitch Black and also The Horror at 37,000 Feet, an early-70s made-for-TV schlock-fest starring William Shatner. But coming right after "Silence in the Library"/"Forest of the Dead", it would be hard for any episode to rise to the occasion. I think in that respect, "Midnight" holds its own pretty well.

I'll give it 3 Sonic Screwdrivers out of 5.

Next week: Rose returns! It's "Turn Left" and we'll see if I can get a review of it up sooner than I've managed lately :-)

Tuesday, June 17, 2008

CHILDREN OF EDEN Update: 3 Days to Opening Night

Theatre Guild of Rockingham County's production of Children of Eden is now less than 72 hours away from opening (June 20th and 21st at 7:30 p.m. and 22nd at 2:30 p.m., with the same times for June 27th-29th). Everyone involved has been working whatever time they can squeeze in to get this thing ready. This past Friday night I worked with some other cast members in getting the lighting set up ('cuz all cast members are expected to work at least one day during "Tech Week" and I wanted to take the opportunity to learn some stuff about lighting, since it might come in handy with videography). Most of the other cast loaded the props on Saturday. And Sunday was our first technical rehearsal: going through the show with everything going full-bore so as to tweak the lighting cues, the sound levels, and the props.

The thing about Children of Eden is that this is a very props-intensive show. The first part of Act I involves moving lots of foliage on stage very quickly so as to create the Garden of Eden. And even then, it's not static: stuff gets shifted around all the time. And there are two scene changes - one in Act I and another in Act II - that also require certain items to be brought on and taken off. Those alone have taken significant time to consider and then re-consider how to best do it. One of these is something that I've been assigned to, and if you know anything about Children of Eden, you'll know what I mean when I say that it's possibly the most mysterious part of the story.

So Sunday was our first tech rehearsal. It ran from 2 p.m. until past 9 p.m. that night.

Last night we did it again, practice starting at 6:30 p.m. and then running to about 11.

Tonight was our first full dress rehearsal. We began going through the show at around 7:30 p.m., and finished just after 10:30. Almost average for a typical production of Children of Eden. We have definitely come a long way since where we were just two days ago.

Tomorrow we'll be taking pictures and maybe shooting some video. I can't post any video, but I will certainly try to have a pic or two up of what this is looking like, including me in my getup as Seth :-)

Associated Press to demand fees for quotes, Part 1

The Associated Press is now demanding $12.50 to use 5-25 words in quotes from its stories on blogs. Presumably, 4 words or less is still allowable.

According to the Associated Press story...

NEW YORK (AP) — The Associated

Associated Press to demand fees for quotes, Part 2

Press, following criticism from

Associated Press to demand fees for quotes, Part 3

bloggers over an AP

Associated Press to demand fees for quotes, Part 4

assertion of copyright, plans

Associated Press to demand fees for quotes, Part 5

to meet this week

Associated Press to demand fees for quotes, Part 6

with a bloggers' group

Associated Press to demand fees for quotes, Part 7

to help form guidelines

Associated Press to demand fees for quotes, Part 8

under which AP news

Associated Press to demand fees for quotes, Part 9

stories could be quoted

Associated Press to demand fees for quotes, Part 10

online.

Associated Press to demand fees for quotes, Part 11

Baby Paige's dedication video

A few weeks ago I wound up helping with the video for a friend's baby dedication ceremony. Well actually she's more of my sister's friend (and my sister's in this video too) and they called here wanting some advice about audio editing, and I offered to do it for them and e-mail it for their project. Or something. Anyhoo, they had the ceremony for baby Paige a few days ago and because she's the cutest lil' thing, and because her parents are really great people and also 'cuz Lord only knows when I'll ever get to use pink as a border color for a YouTube video again, here is their presentation!