Don’t even think of phoning or e-mailing or telegraphing or Pony Express-ing me for the next few hours.  At least not until tonight’s season premiere of The Walking Dead finishes.

(Okay, there are a few who I am expecting to call if they need to, but that’s it…)

Looking forward to learning more about Terminus.  It can’t be that bad.  Can it?  Can it?

Will post some thoughts after the show.

EDIT 10:15 p.m. EST:  Okay I guess Terminus is a bad place after all.

“No Sanctuary” was a solid opening for the fifth season.  Although, I’m a bit confused as to the history of Terminus: was Lieutenant Tasha Yar and her friends all good guys before they got turned onto the other white meat?

Wait… I can’t believe I just wrote that.

Carol must have pulled off the all-time greatest single-action zombie kill in the history of ...

From the very beginning of its fourth season this past October, The Walking Dead has been sitting unplayed on my DVR, taking up a sizable amount of real estate.  I’ve been wondering what to do about it: either finally sit down and go through the season, or delete it altogether.

This past weekend I decided it was time to face some things, and let The Walking Dead stop haunting me (I know that won’t make sense to most readers, just trust me).  I suppose I should admit at least a little curiosity at how this season would go, after Season 3 ended with the survivors of Woodbury coming to the prison and the Governor going Lord-knew-where into the Georgia wilderness.

I’m glad that I did choose to watch, because The Walking Dead‘s fourth season turned out to be some of the most powerful storytelling that I’ve ever seen from ...

For the record, I wanna state that I just knew what Glenn was doing when he went walking along the fence!  Let’s hope he thought well enough to sanitize that thing…

(Guess we’re gonna see a spate of The Walking Dead-inspired weddings now, huh?)

There’s been a pattern this late in Season 3: seems that AMC’s The Walking Dead has been oscillating between “unbelievably greater television than we possibly deserve” and “better than much else”.  The latter isn’t where The Walking Dead should be: not after everything else that has happened this season.  Last week’s “Prey” was an example.  It ended on a great shot but c’mon: forty minutes of The Governor stalking Andrea coulda, shoulda been much more fun.

But “This Sorrowful Life”, this week’s episode and the final before next Sunday’s season finale, brought the pendulum swinging back… before making us watch it break completely off ...

Rick, no.  You almost lost your mind.  Do this and you will lose your soul.

Despite the resolution to one of the show’s bigger mysteries – what happened to Morgan and Duane – I thought that last week’s episode “Clear” was almost too quiet a departure from what we’ve become accustomed with AMC’s monster hit series The Walking Dead.  But having just watched “Arrow on the Doorpost”, I see how there was a lot more in the previous installment that was investment toward the eventual payoff.

And judging what we saw in the final moments of “Arrow on the Doorpost”, that’s gonna be a hella payoff when Season 3 wraps at the end of this month.

(I just realized yesterday that my birthday is not only Easter Sunday this year but the night before sees the return of new Doctor Who episodes, and Easter night brings the season ...

Did anyone else come away from this week’s episode of AMC’s The Walking Dead thinking that regardless of how little time we saw of him, that the highlight of “I Ain’t a Judas” was Carl (Chandler Riggs) talking to his father Rick?  Because that’s what keeps sticking out most in this blogger’s mind ever since watching it last night.

I have said it before and I will say it again: if Chandler Riggs doesn’t get an Emmy nomination this year, then I will be more than extremely disappointed.  Carl is a character who has solidly destroyed the mold of child characters on television and Riggs deserves some mighty high accolades for the strength, courage, restraint under stress and sheer wisdom that he has portrayed for such an exceptionally young actor.  Carl is becoming a true leader right before our eyes.  The scene before the opening title where he comes to ...

And mind ya, that was just from the final five minutes!!

Two things I will say before anything else: that after “Home”, this week’s episode of AMC’s The Walking Dead, David Morrissey has damned-well earned enough street credo to be top choice to play Randall Flagg in that forthcoming film adaptation of Stephen King’s The Stand.

Yeah, just try to get that idea out of your head now that I’ve put it there. I dare ya…

Second: Daryl Dixon is the most awesomesauce-loaded BAD-ass on television since the invention of the cathode ray tube:

Norman Reedus more than deserves an Emmy nod this year, for the life he’s brought to Daryl. Along with Chandler Riggs (hey, wouldn’t it be soooo appropriate if both Daryl and Carl got supporting actor nominations?).

“Home” delivered everything that has made The Walking Dead the best drama series on television right ...